Tone. At Home.
I recently picked up a Tomahawk Deluxe overdrive pedal from Greer Amps.
What do I think of it? Read on for my first impressions.
Continue reading “First Impression: Greer Amps Tomahawk Deluxe Drive Pedal”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Most pedals that interest me will work best into a clean amp – either my 65 Clean preset or (for many tweed-tone pedals) my 57 Vintage preset. Every now and then, though, I take a look at a pedal that’s designed to run into a dirtier amp.
That’s where my JTM preset comes in.
Continue reading “Studio Diary #50: Dialling In The JTM Amp & Cab”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
In the last blog post, I went through the amp & cab settings for my 65 Clean pedal platform preset. We’re not quite done with that preset yet though. You see, while testing it, I realised that I needed even more speaker choices …
Continue reading “Studio Diary #49: The 65 Clean Speaker Toolkit”I recently picked up a JRAD Monkeyman tweed overdrive pedal.
I think this is a fantastic tweed-tone pedal. Read on for my First Impressions, where I’ll try and demonstrate why.
Continue reading “First Impressions: JRAD Monkeyman Tweed Overdrive”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
I’ve just finished documenting the thought process behind the scenes that I will use for my beloved tweed tone pedals. Now it’s time to switch my attention to the scenes that most pedals will use: a ’65 Fender “blackface” tone.
Continue reading “Studio Diary #48: Dialling In The 65 Blackface Amp & Cab”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Over-arching decisions have been made. So without further delay, let’s get into the heart of the pedal platform patch: the amp and cab emulations. And I’m going to start with the tones that are dearest to my heart: a vintage-voiced platform for my tweed-tone pedals.
Continue reading “Studio Diary #47: Dialling In The 57 Vintage Amp & Cab”When I started building my own pedal platform presets for the Axe-FX 3, my goal was to recreate the sound of my old valve amp rig. I really wanted to demonstrate how these pedals might sound if you put them through your own valve amp at home.
I’m not trying to do that any more.
In this blog post, I’m going to do my best to explain why. Grab a drink, there’s a lot to talk through!
Continue reading “Studio Diary #46: My Philosophy For Building Pedal Platform Presets For Digital Modellers”Today’s the day I waved goodbye to my PreSonus Studio One subscription, and finally bought Apple’s Logic Pro to be my next major DAW.
Continue reading “Studio Diary #45: The Logic(al) Next Step”Today, I want to answer one question: can vintage profiling tech recreate the sounds of vintage amps?
Read on to find out.
Continue reading “Can The Kemper Profile Tweed Tone?”This month, I’ve picked up a couple of bucket-list tweed-tone pedals, a couple of new instruments to learn … and hopefully a replacement for one of the biggest disappointments that I’ve ever bought.
What did I get? Read on to find out.
Continue reading “New Arrivals: May 2024”