Regular readers will know that I’m quite the fan of “tweed tone”: the sound of classic amps from the fifties. So much so that, back in 2021, I went out and bought Fender’s modern reissue of the holy grail of tweed amps: the 5e3 Tweed Deluxe.
I’m glad that I got mine when I did, because I’m not sure that I could afford – or justify – buying the same amp in late 2023.
Read on if you’re interested in my thoughts and experiences on this topic.
Attenuators are one of the reasons we can enjoy valve amps at home without upsetting the neighbours. I’ve never really thought about how they affect the overall tone … until now.
In this blog post, I’m going to look at the two attenuators that I have – the Two Notes Captor and the Fryette PS-100 Power Station – and work out what they sound like. And I’m including some sound samples, so that you can hear the differences for yourself.
I’m supposed to be rehearsing the four (possibly five) songs for acoustic guitar that I’m aiming to record by the end of the year. However, for the last few weeks, I’ve been lured away by the seductive purr of my guitar amps.
Here are three short narratives on the sirens that have waylaid my acoustic adventures …
This month has been a very special month. A couple of purchases I’ve been working towards unexpectedly all came together at the same time. And then I learned that you really do need to be careful what you wish for!
The second-hand market remains pretty flat. I did miss out on one of my bucket-list pedals though. It’s going to take me a while before I stop kicking myself over that one. I managed to pickup another great BJFe-designed pedal instead, so it wasn’t all bad 🙂