This year, I’m aiming to record four pieces of original music that I wrote in the early 1990s. They’ll be performed on acoustic guitar, and I’ll be doing the engineering, production and mixing myself.
Four songs on an acoustic guitar doesn’t sound like much, does it? After all, your average guitar YouTuber probably has to bang out at least one piece a week, every week. And this awesome chap is on track to record and upload 100 songs.
So why am I only aiming for just the four songs? And how is it going? The clue’s in the title.
The big news this month (here in the UK) is that non-essential retail has been allowed to re-open. We’re coming out of lockdown, and guitar shops can open their doors to visitors once again. It’s too soon to travel the length and breadth of the country to hunt for hidden gems gathering dust on a wall somewhere, but we’re getting closer to that day.
In the meantime … this month, I’ve managed to pick up a couple of curious pieces to try. They’re a bit left-field, and (he says, having not tried them at the time of writing) probably not for everyone.
MIDI drums and drum samples. Love ’em or hate ’em, they’re a fact of life for just about everyone who records music at home. And, just as most of us can’t accommodate the noise of a real drum kit in the house, most of us have nowhere to keep a digital drum kit either. We’re left with using much smaller percussion pads, or we compromise and use something we can sort-of play like Roland’s SPD-SX.
But how do you get them into Universal Audio’s LUNA DAW in the first place? When I googled, I couldn’t find any instructions anywhere on how to do this.
It’s been a very quiet month for new arrivals. This time, it’s mostly down to me.
(The second hand market here is still a mess, but that’s a topic that probably deserves its own blog post …)
I’ve been enjoying both the Mad Professor Sweet Honey Custom and Sweet Honey Deluxe Overdrives so much, I’ve just not been very curious about the pedals that have been cropping up on the second-hand market this month.
But, you know me: I’m always on the lookout for tweed-tone pedals, and this month, I picked up a couple that are pretty rare in their own ways.
Earlier in March, I picked up an unbranded pedal from eBay. It was sold as an AZABACHE pedal by TH Custom Effects. Does it live up to the hype of “the best sounds [sic] Fender Tweed Amp simulator I ever heard”?