I recently managed to tear myself away from my beloved Tweed Deluxe amp long enough to snag a second-hand Super Black pedal. And I swear that I didn’t realise this is (partially!) a tweed pedal when I bought it!
I’m supposed to be rehearsing the four (possibly five) songs for acoustic guitar that I’m aiming to record by the end of the year. However, for the last few weeks, I’ve been lured away by the seductive purr of my guitar amps.
Here are three short narratives on the sirens that have waylaid my acoustic adventures …
This month has been a very special month. A couple of purchases I’ve been working towards unexpectedly all came together at the same time. And then I learned that you really do need to be careful what you wish for!
The second-hand market remains pretty flat. I did miss out on one of my bucket-list pedals though. It’s going to take me a while before I stop kicking myself over that one. I managed to pickup another great BJFe-designed pedal instead, so it wasn’t all bad 🙂
My new Tweed Deluxe amp is a bit of a dream come true. Being a vintage amp circuit, it’s also a bit too loud for regular use at home. If I’m going to enjoy it, I need a way to turn it down.
My tool of choice for the job? Fryette’s Power Station PS-100. Why did I pick this over the considerable competition? And does it actually do the job? Read on for my research notes and First Impressions.
Earlier this month, I took a trip up to Birmingham to try out a couple of B&G Little Sister P90 Crossroads guitars. I liked them so much, I brought one home with me and named it Merrang! (The exclamation mark is part of the name.)
Why did I get it, and what is it for? Read on for my First Impressions.