Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what gear we started with and what gear we ended up with – along with a discussion of why.Continue reading “2021 Review: Gigging Gear”
Neural DSP’s Quad Cortex is finally shipping. As one of the early backers, I have the chance to get one of the first units, before they hit the shops.
I’ve decided not to.Continue reading “Quad Cortex: Why I’m Passing On It”
Almost no new gear for me, this month. The gear budget had to go on some urgent car maintenance instead. I can’t complain; the car’s been almost completely trouble-free until now. It’s just one of those things as it gets older (120,000 miles and counting!)
I don’t feel that I missed out, though. Volumes on eBay are definitely up, but not back to the levels of a year ago. If anything, there’s been more interesting guitars than interesting (to me!) pedals … and plenty of people piling on and bidding hard on those pedals.
A couple of items I’d ordered last year did arrive this month. Here’s what I got.Continue reading “New Arrivals For January 2020”
Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what gear we started with and what gear we ended up with – along with a discussion of why.Continue reading “2019 Review: Gigging Gear”
This conversation was originally posted to my Twitter feed.
Hello, and thank you for reading this. I’ve got another #CoffeeAndKlon for you today, as I continue to walk through my desert island guitar rig.Continue reading “#CoffeeAndKlon 11: Tuners Are Interesting After All”
Last night, Tess and I did our first gig together. Just me on guitar and her on vocals, and a very warm and generous crowd at the club we played at.Continue reading “Gigging The Fender Acoustasonic Telecaster For The First Time”
My mind is on the upcoming acoustic gigs we’re doing. I haven’t gigged since 5th May 1992 (funny how that date has stuck in my mind). That’s so long ago, I’m effectively gigging for the first time.
I thought it’d be useful (both for me and anyone else looking to move out of the bedroom and onto any kind of stage) to talk about the gig, the rig, and any lessons that come out of actually doing it.
We’re starting off as a two-piece semi-acoustic act. Tess is on vocals, and I’m on guitar. Why have we gone for this format / approach?
Long and short of it … we’re hoping that it’ll be much easier to gig regularly as an acoustic act. It’s an act that scales down nicely to small venues / bars / cafes and the like. There’s a lot more of those than venues that can accommodate a five-piece rock machine with a live drummer.
The main guitar for our set will be my Fender Acoustasonic Telecaster. I’ll also be using my Taylor T5z during the set.
Originally, my Taylor T5z was going to be the main guitar for this band. I bought it back in 2017 exactly for that purpose. Then the Acoustasonic Tele came out, and that changed everything.
The AT simply sounds much better at the acoustic thing, thanks to the onboard Fishman modelling. And it’s eminently more replaceable should the worse happen at a gig.
But the Taylor isn’t completely out of the picture.
Seeing as I already have it, it’s coming along to be my backup guitar (just in case). And we’re using it for one song in the set. One of the songs requires an alternate tuning. During rehearsals, we decided that it’s too much faff to retune the AT, so we’re going with the T5z already retuned for that one song.
If we manage to land more gigs, I’ve already decided to get a second Acoustasonic Tele to be the backup / alternate tuning guitar. The set list and arrangements are all built around how the AT sounds and plays. It just makes sense to be able to have a like-for-like as the backup guitar … eventually.
Here, I need to give a huge shout out to the wonderful folks over at AStrings. They let us come in for a couple of mornings and audition every single acoustic amp in stock, using our own gear. I’m so grateful that they did, because there was one amp in particular that stood out as perfectly suiting our sound.
We’re using a pair of Acus One 8 acoustic guitar amps.
These are 4-channel solid-state amps. Each channel has its own separate preamp controls. I’ve set one channel up for the AT, and a second channel up for the T5z. All I’ve got to do during the gig is remember to zero the channel volumes when switching guitars 🙂
We haven’t decided yet whether we’ll run Tess’s vocals through the same amp (which does sound great), through the 2nd Acus One 8 amp, or straight into the venue’s PA. We’ll sort that out on the night.
The main reason for having two Acus One 8 amps is to make sure we’ve got a spare with us.
There’s a few other things I need to take along with me to the gigs: tuner, capo, and guitar picks. Oh, and instrument cables!
Atm, I’m using TC Electronic Polytune headstock tuner. I need to put a fresh set of batteries in before the first gig. And a spare wouldn’t hurt at all. If only they weren’t out of stock right now …
In the back of my mind, I’m wondering if I should be using a floor-based tuning pedal as well or instead? A floor-based pedal would also give me a kill switch. That might be useful.
Things I’m Not Using
For now, I’ve decided against putting together a pedal board for acoustic gigs. There’s a couple of reasons why.
My instinct is that I don’t want to be worrying about power-related problems at gigs. I just want to plug straight into the amp, and not be worried about finding somewhere to plug in the pedal board – or be worried about someone somehow unplugging it during the gig.
I’m open to the idea of using a small board with all the pedals running off batteries. Unfortunately, I haven’t found many pedals that run off battery and work with acoustic guitar tones. Especially compressors, which is the main effect I’m interested in.
With Brexit looming – and the likelihood of supply chains being disrupted for months afterwards – I probably need to make a final decision on this in the next couple of weeks. I might be better off getting the pedals that I can whilst they’re available, and then selling them on if I end up not needing them.
A pedal board that includes an acoustic DI box might also come in handy for travelling light – just guitar and nano pedal board.
Henning Pauly has posted a behind-the-scenes look at the setup for his recent live band live streams, showing us the in-ear monitoring he’s been using for the live bands.
You probably won’t ever need an in-ear monitoring system for home playing or home recording. But if you’ve got a band that rehearses or plays live, you need something that’ll protect your hearing and let you hear everything that’s happening.
Please head over to YouTube to leave a like and a supportive comment.
Mary Spender has recently completed a UK tour, where she was also the tour manager and (at least part-time) promoter … and she’s posted a vlog to show us what it was really like.
The thing I loved about this was how Mary shows us that it is possible to take music on the road and put on your own tour in this day and age. If you can draw a crowd, keep things minimal, and organise things yourself, the dream is in reach.
Watch the video for the whole story, and then please head over to YouTube to leave a like and a supportive comment.