Tone. At Home.
“Tweed tone” is the sound of 50s Fender amps (Champ, Deluxe, Twin, Bassman), modern amps based on these circuits, and the pedals that chase the tone of these iconic amps.
I recently bought a LPD Pedals Fifty5 overdrive pedal.
What do I think of it? Here are my First Impressions.
You might want to grab a drink for this one. There’s a lot to cover, as the Fifty5 has three different tone characteristics to explore …
Continue reading “First Impressions: LPD Pedals Fifty5 Tweed Overdrive”Another month, more tweed-tone pedals for me to try. What’s not to like?
Continue reading “New Arrivals: June 2024”I recently picked up a Tomahawk Deluxe overdrive pedal from Greer Amps.
What do I think of it? Read on for my first impressions.
Continue reading “First Impression: Greer Amps Tomahawk Deluxe Drive Pedal”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Over-arching decisions have been made. So without further delay, let’s get into the heart of the pedal platform patch: the amp and cab emulations. And I’m going to start with the tones that are dearest to my heart: a vintage-voiced platform for my tweed-tone pedals.
Continue reading “Studio Diary #47: Dialling In The 57 Vintage Amp & Cab”Today, I want to answer one question: can vintage profiling tech recreate the sounds of vintage amps?
Read on to find out.
Continue reading “Can The Kemper Profile Tweed Tone?”I’ve just bought a DanDrive Tweedy 5B3 overdrive / amp-in-a-box pedal.
I’m in shock over how good this pedal is (for me). Read on to hear why.
Continue reading “First Impressions: DanDrive Tweedy 5B3”I’ve just bought a Tweed Drive by True North pedals.
What do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: True North Pedals Tweed Drive”I’m lucky enough to own a physical Tweed Deluxe amp. I also think that a Tweed Deluxe amp rig for home use has become so expensive in 2023, it’s difficult to justify. So I’ve started looking at alternatives, to see how they compare to the real thing.
Last time out, I sat down and built a preset for my Axe-FX 3 that gets pretty close to the speaker emulation in the UAFX Woodrow amp+cab sim pedal. My real Tweed Deluxe amp sounded really good through that.
Today, I want to continue tweaking the preset, to see if I can get my real amp sounding even better.
Continue reading “#TweedTone: Can I Dial In A Better Speaker Emulation For My Tweed Deluxe Amp?”I’m lucky enough to own a physical Tweed Deluxe amp. I also think that a Tweed Deluxe amp rig for home use has become so expensive in 2023, it’s difficult to justify. So I’ve started looking at alternatives, to see how they compare to the real thing.
This time around, I’ve got a different kind of question that I want to explore. Can I recreate the UAFX Woodrow’s speaker emulation in my Axe-FX 3, using only the stock cabs?
And why would I want to?
Continue reading “#TweedTone: Can The Axe-FX 3 Reproduce The Speaker Emulation Of The UAFX Woodrow?”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
This time around, I want to answer a question that nobody has asked me. Why am I using DAW plugins for delay and reverb, instead of my Axe-FX 3?
Read on if you’re interested in my thinking behind this decision. And if you’re not interested, no worries 🙂
Continue reading “Studio Diary #39: Why I Use DAW Plugins For Delay And Reverb On My #TweedTone Comparisons”