Tone Stacking: Using Another Pedal To Shape The Fender MTG:LA’s Sound

In my opinion, Fender’s MTG:LA pedal is a bit of a conundrum. I think it’s got just the one sound, and if that sound doesn’t work for you or your rig, the pedal’s EQ controls can’t save the situation.

I love it with my Strat and my Tele. I don’t like it anywhere near as much with my Les Paul.

Thankfully, we’re not limited to what the MTG:LA can do on its own. We can give it some help, in the form of a second pedal to shape the tone a bit more. And I’m really liking the results.

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First Impressions: Boss FBM-1 Fender 59 Bassman Overdrive Pedal

Above all others, there’s one tweed-tone pedal that I haven’t yet tried. It might not be the very first tweed-tone pedal, but it’s certainly the earliest one that I know about. It’s a pedal that’s rumoured to have graced the boards of many successful recording and touring artists.

And finally, after years of watching them go for very high prices, I finally won one on eBay. Was it worth the wait? Or will it remain forever in the shadow of my beloved SHOD?

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