Tag: Fractal Audio

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#CoffeeAndKlon 41: My Lesser-Heard Klones Roundup

#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.

This week, what was meant to be a very quick look at a recent klone purchase somewhat spiralled out of control … and turned into a (very brief!) catchup on all the klones that I’ve picked up in the last couple of years.

I’ve got a few more than I realised, especially considering that I (supposedly) stopped collecting them back in April 2020 when I got my Ceriatone Centura!

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#CoffeeAndKlon 40: Using The MP Audio Blue Brit As A Second Boost Stage

#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.

Today, I want to feature MP Audio’s Blue Brit Overdrive pedal, and show how it can be combined with a Klon klone to shape and craft a tone even further.

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Studio Diary #55: Tackling Noise In The Axe-FX 3 Pedal Platform Preset

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Back in July, I tackled the major cause of noise by sorting out the gain-staging for my pedal platform preset. However, that hasn’t completely eliminated all noise in the signal chain. (Some noise is inevitable.) What can I do about the noise that’s still getting through?

That’s what I’m going to look at in this blog post.

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Studio Diary #54: The Challenge Of Keeping Up With Fractal Audio’s Firmware Releases

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Today, I want to briefly talk about the consequences of (what is probably) Fractal Audio’s greatest strength: their regular stream of firmware updates to make their products get closer and closer to the real amps that they’re replacing.

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#CoffeeAndKlon 39: A Deep Dive Into The JRAD Archer Clean

#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.

Always the bridesmaid, but never the bride … until now. It’s time that I finally take a deep dive into (perhaps) the most unusual Klon klone that’s out there.

Today, I’m discussing the JRAD Archer Clean.

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First Impressions: LPD Pedals Dutch ’24 Overdrive As A Main Overdrive Pedal

This is a second (and lengthy!) look at the LPD Pedals Dutch ’24 that I recently bought.

Walrus Audio 385, LPD Pedals Dutch ’24 and Mad Professor Little Green Wonder on my pedalboard.

I’ve already written a First Impressions on the Dutch ’24. In that, I said that I’d briefly tried it as a main overdrive, and was a bit meh about it. (You should definitely go and read that post. I was very happy with how it helped me address the top-end of position 4 on my Strat.)

When used as a main overdrive, I’m finding the Dutch ’24 both incredibly familiar and – at the exact same time! – quite different too.

It’s been bugging me ever since.

So I spent a couple of evenings at the start of the week comparing the Dutch ’24 against other pedals aimed at the blues-rock market.

Along the way, I fell in love with how the Dutch ’24 is its own thing.

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Studio Diary #50: Dialling In The JTM Amp & Cab

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Most pedals that interest me will work best into a clean amp – either my 65 Clean preset or (for many tweed-tone pedals) my 57 Vintage preset. Every now and then, though, I take a look at a pedal that’s designed to run into a dirtier amp.

That’s where my JTM preset comes in.

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Studio Diary #49: The 65 Clean Speaker Toolkit

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

In the last blog post, I went through the amp & cab settings for my 65 Clean pedal platform preset. We’re not quite done with that preset yet though. You see, while testing it, I realised that I needed even more speaker choices …

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