I’m supposed to be rehearsing the four (possibly five) songs for acoustic guitar that I’m aiming to record by the end of the year. However, for the last few weeks, I’ve been lured away by the seductive purr of my guitar amps.
Here are three short narratives on the sirens that have waylaid my acoustic adventures …
This month has been a very special month. A couple of purchases I’ve been working towards unexpectedly all came together at the same time. And then I learned that you really do need to be careful what you wish for!
The second-hand market remains pretty flat. I did miss out on one of my bucket-list pedals though. It’s going to take me a while before I stop kicking myself over that one. I managed to pickup another great BJFe-designed pedal instead, so it wasn’t all bad 🙂
My new Tweed Deluxe amp is a bit of a dream come true. Being a vintage amp circuit, it’s also a bit too loud for regular use at home. If I’m going to enjoy it, I need a way to turn it down.
My tool of choice for the job? Fryette’s Power Station PS-100. Why did I pick this over the considerable competition? And does it actually do the job? Read on for my research notes and First Impressions.
Another one from Michael Nielsen tonight. He’s done a great video looking at how several popular load boxes sound for vintage tones.
Around the 7 minute mark, he talks about a surprising aspect of load boxes – that they drive the amp harder than the real cab does. He then goes on to show the captured waveforms side by side. There’s a few surprises hiding in there too.
Please head over to YouTube to leave a like and a supportive comment if you enjoyed Michael’s video.
Check this out. Michael Nielsen has posted a video comparing a real mic + cab setup vs 5 different ways to record silently at home. And he’s picked a great way to do it too.
He’s recorded the best sound he could with each approach, and used them in a mix so that you can hear the kind of final results you might be able to get. Best of all: the guitar is soloed to begin with, to give you a taste of what it’s like to simply noodle through each setup.
It isn’t a straight comparison. The real cab has V30s in it, and is mic’d using an SM57. The impulse responses used are of G12M Creambacks with a couple of different mics, and I’d swear that the OX is emulating G12Hs not G12Ms. But that’s kinda the point. He’s gone and done exactly what we’d do ourselves – dial in what he thinks sounds the best.
Do have a read of the comments people have been leaving on his video. It’s clear that not only do people have different tastes, but that different people actually hear different things too.
The other thing that’s interesting? Play it back to back a few times. Once ear fatigue kicks in, just how much difference can you hear any more?
(And just how good does that BE-100 sound?!? Me want …!)
Please head over to YouTube to leave a like and a supportive comment for Michael’s video.