I’ve had computer troubles, which stopped me posting anything for a while. And, unfortunately, I didn’t manage to make a blog post about this pedal before the computer troubles began.
Continue reading “(Belated) New Arrivals: March 2023”New Arrivals: May 2025
They say buses come in threes. After a quiet couple of months, I’ve had three new (to me) tweed-tone preamps all arrive within 48 hours of each other.
Sadly, I won’t be keeping them all …
Continue reading “New Arrivals: May 2025”#PlexiTone: Synergy Plexi Module + Axe-FX 3 For Reference Marshall Plexi Tones
After last week’s success with my Synergy BMan module, I decided to see if the same approach would work with my Synergy Plexi module and the Axe-FX 3.
This is a bit more of a quick and dirty effort. But hopefully you’ll agree that the results are, at the least, very promising.
Continue reading “#PlexiTone: Synergy Plexi Module + Axe-FX 3 For Reference Marshall Plexi Tones”#TweedTone: Dialling In A 5F6 Bassman Reference Tone For 2025
Recently, I posted about my latest attempt at creating a reference tone for my 5e3 Tweed Deluxe reissue amp. I’m still wrestling with creating a similar 5e3 reference tone purely in the Axe-FX 3. Sadly, I’m nowhere near ready to write up my promised comparison of the two.
I decided to take a break from that, and work on another reference tone that I’m going to need for future #TweedTone blog posts: capturing the mighty 5F6 Tweed Bassman sound.
Here’s how I got on. There’s audio demos to listen to, and a full breakdown of the signal chain that I used, with plenty of photos / screenshots to show you everything.
Continue reading “#TweedTone: Dialling In A 5F6 Bassman Reference Tone For 2025”Quick Listen: Ritual Devices Grey Overdrive With Strat And Tele Bridge Pickups
Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.

Today, I’ve grabbed my Ritual Devices Grey Overdrive, to find out how well it can rock out when I’m playing single-coil bridge pickups.
Continue reading “Quick Listen: Ritual Devices Grey Overdrive With Strat And Tele Bridge Pickups”#TweedTone: Dialling In A 5e3 Tweed Deluxe Reference Tone For 2025
New year, new (and hopefully improved!) reference tone from my Fender 57 Custom Deluxe amp.
All made possible thanks to a late 2024 freebie from Origin Effects … and me figuring out how I’d been using my Fryette Power Station PS-100 wrong …
Continue reading “#TweedTone: Dialling In A 5e3 Tweed Deluxe Reference Tone For 2025”Quick Listen: Plexi-Style Amp with a Les Paul
Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.
Today, I’ve dusted off the plexi-style amp that I bought back in 2019, and paired it with a Gibson Les Paul and Celestion Creamback impulse responses. Have a listen.
Continue reading “Quick Listen: Plexi-Style Amp with a Les Paul”Studio Diary #60: Choosing A Pair Of Compressors
‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Now that I’ve covered all the blocks that help me explore what a pedal can do, I want to focus on a few extra things that I’ve added just for me, starting with compressors.
Continue reading “Studio Diary #60: Choosing A Pair Of Compressors”2024 Review: Making Music
Rather than do a ‘best of’ style post, every year I’m doing a rundown of what music I’ve made this year, and what I’ve learned from doing so.
Previous posts in this series: [2023]
Continue reading “2024 Review: Making Music”