Studio Diary #61: Remastering My Original Pedal Platform Presets For Axe-FX 3 Firmware 28.05

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

I spent most of Spring dividing my playing time between the pedal platform patches that are based on the DRRI and using my real Tweed Deluxe amp. When I came back to my original 57 Vintage and 65 Modern presets, I could hear a stark difference – and not in a good way.

So, before I finally wrap up this series on the pedal platform patches, I want to go back and re-master those two original pedal platform presets. There’s been some recent Axe-FX 3 firmware updates that make this easier to do and sound better than ever.

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#PlexiTone: Synergy Plexi Module + Axe-FX 3 For Reference Marshall Plexi Tones

After last week’s success with my Synergy BMan module, I decided to see if the same approach would work with my Synergy Plexi module and the Axe-FX 3.

This is a bit more of a quick and dirty effort. But hopefully you’ll agree that the results are, at the least, very promising.

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#TweedTone: Dialling In A 5F6 Bassman Reference Tone For 2025

Recently, I posted about my latest attempt at creating a reference tone for my 5e3 Tweed Deluxe reissue amp. I’m still wrestling with creating a similar 5e3 reference tone purely in the Axe-FX 3. Sadly, I’m nowhere near ready to write up my promised comparison of the two.

I decided to take a break from that, and work on another reference tone that I’m going to need for future #TweedTone blog posts: capturing the mighty 5F6 Tweed Bassman sound.

Here’s how I got on. There’s audio demos to listen to, and a full breakdown of the signal chain that I used, with plenty of photos / screenshots to show you everything.

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Quick Listen: Ritual Devices Grey Overdrive With Strat And Tele Bridge Pickups

Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.

A close-up photo of the Grey Overdrive guitar effects pedal, made by Ritual Devices.
The Ritual Devices Grey Overdrive pedal on my pedalboard.

Today, I’ve grabbed my Ritual Devices Grey Overdrive, to find out how well it can rock out when I’m playing single-coil bridge pickups.

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Quick Listen: Plexi-Style Amp with a Les Paul

Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.

Today, I’ve dusted off the plexi-style amp that I bought back in 2019, and paired it with a Gibson Les Paul and Celestion Creamback impulse responses. Have a listen.

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Studio Diary #60: Choosing A Pair Of Compressors

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Now that I’ve covered all the blocks that help me explore what a pedal can do, I want to focus on a few extra things that I’ve added just for me, starting with compressors.

Continue reading “Studio Diary #60: Choosing A Pair Of Compressors”