Let’s be honest … it’s past time that I did something to acoustically treat this room.
Here’s what I’ve done so far, and why.
Continue reading “Studio Diary #30: Acoustic Treatment For The Home Recording Studio”Tone. At Home.
Let’s be honest … it’s past time that I did something to acoustically treat this room.
Here’s what I’ve done so far, and why.
Continue reading “Studio Diary #30: Acoustic Treatment For The Home Recording Studio”Last summer, I bought what is probably the bucket list amp for me: a re-issue of Fender’s legendary Tweed Deluxe amplifier.
Nine months or so later, how am I getting on with it? Was it a good decision, or do I regret paying the perceived Fender tax for an almost 70-year-old amp circuit that’s been heavily cloned?
Continue reading “Short Term Review: Fender 57 Custom Deluxe (aka Tweed Deluxe) Re-Issue Amplifier”Last summer, I bought a Fryette Power Station PS-100 as an emergency purchase, so that I could use my Tweed Deluxe at home volume levels.
Nine months later, how am I getting on with it? Would I buy it again if anything happened to it? And would I recommend it to you? Read on to find out.
Continue reading “Short-Term Review: The Fryette Power Station PS-100”I’ve recently switched back from Universal Audio’s LUNA DAW to good old Reaper. Why? Because I need to work on some midi drums, and LUNA doesn’t really support that yet.
This is partly a note to myself, and partly a tutorial, on how I setup Superior Drummer 3 and Reaper to work well together.
Continue reading “Studio Diary #29: Setting Up Superior Drummer 3 In Reaper”We’ve just started band rehearsals again, after a 2 year break because of the global pandemic. That means that my time with LUNA has to come to an end, at least for now.
Continue reading “Studio Diary #28: Returning To Reaper, After 2 Years Of LUNA”Earlier today, the fine folks at Andertons posed this question over on Twitter:
I don’t think I’ve talked about this on the blog before, so here’s my take on it.
Continue reading “Worth Upgrading To Locking Tuners? My Experience”I recently bought a new compressor pedal: Fender’s The Bends. It has a reputation for being a very boring compressor pedal. That’s good: I’m a boring guitar player, and I like boring gear. The question is: is it too boring?
Read on for my First Impressions.
Continue reading “First Impressions: Fender’s The Bends Compressor Pedal”This month is a tale of two eras: before land war in Europe, and after the war started.
My plan was to get Hedgehog back in action, and (if they came into stock) pick up a couple of things I felt I needed for some planned recording. And that’s how the month started.
Then Putin launched his invasion of a democratic European nation, while willy-waving his nuclear arsenal at the rest of the world. While we’re almost certainly safe from major consequences ourselves, I decided to bring forward my major planned purchase of the year anyway.
Continue reading “New Arrivals: February 2022”Last year, I picked up Hedgehog (my Squier Esquire 60’s Custom), and it quickly became one of my firm favourites. I’m on a hunt to find the right bridge pickup to bring out the best in it.
I’ve already given the Seymour Duncan Antiquity II a go. Will I be any happier with the Bare Knuckle Pickups True Grit? Read on to find out.
Continue reading “First Impressions: Bare Knuckle Pickups True Grit Telecaster Bridge Pickup”Back in March 2020, I picked up a second hand Paisley Deluxe (Paisley Drive Deluxe? Even Wampler’s own marketing uses both terms …), and really struggled with it. And that has bugged me ever since.
A lot has changed since then. Will that make any difference, or will it still be a pedal that just isn’t for me? Details below 🙂
Continue reading “Second Bite: Wampler Paisley Deluxe”