Category: Amp It Up

The magical beast that turns potential into sheer tone!

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5 Way Amp Recording Shootout

Check this out. Michael Nielsen has posted a video comparing a real mic + cab setup vs 5 different ways to record silently at home. And he’s picked a great way to do it too.

He’s recorded the best sound he could with each approach, and used them in a mix so that you can hear the kind of final results you might be able to get. Best of all: the guitar is soloed to begin with, to give you a taste of what it’s like to simply noodle through each setup.

It isn’t a straight comparison. The real cab has V30s in it, and is mic’d using an SM57. The impulse responses used are of G12M Creambacks with a couple of different mics, and I’d swear that the OX is emulating G12Hs not G12Ms. But that’s kinda the point. He’s gone and done exactly what we’d do ourselves – dial in what he thinks sounds the best.

Do have a read of the comments people have been leaving on his video. It’s clear that not only do people have different tastes, but that different people actually hear different things too.

The other thing that’s interesting? Play it back to back a few times. Once ear fatigue kicks in, just how much difference can you hear any more?

(And just how good does that BE-100 sound?!? Me want …!)

Please head over to YouTube to leave a like and a supportive comment for Michael’s video.

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Pre-CBS Strat Copy w/ Abigail Ybarra Pickups

Burgs has posted a video of him noodling on a copy of a pre-CBS Strat. What makes this particular copy extra-special is that it’s fitted with a set of pickups wound by Abigail Ybarra.

Everyone has “the one that got away” – a guitar they couldn’t get, didn’t get, or had to sell on. Mine is a Fender 2012 Custom Deluxe Strat, fitted with Abigail Ybarra pickups. It was the best sounding Strat that I’ve ever played.

If you’ve never heard of her, Abigail Ybarra has been winding pickups since the early days. I believe that she retired from Fender a few years ago. There’s something about the pickups she made in her career that just works. They’re highly sought after as a result, especially as it appears that she wasn’t able to pass on her technique to the next generation of pickup winders.

The pickups aren’t the only star in this video. Burgs is noodling a long through his AxeFX, and it sounds really good too. Close your eyes, and see if you can tell it’s digital modelling.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Burgs’ video.

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One Marshall Is All You Need

Continuing this afternoon’s Marshall theme (yeah, the Metro Plex module has made quite the impression this morning 🙂 ), here’s a video from Johan Segeborn looking at a modded Marshall 1987X.

This particular Marshall has been modded so that it can be switched between something like half a dozen classic Marshall circuits. Very cool, if that’s your kind of sound.

It’s also worth a watch just to see how different two guitarists sound, even through the exact same amp and speaker cab.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Johan’s video.

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Amps In The Zone: Vintage Marshalls

Pete Thorn – pedal demo maestro extraordinaire – has started a new series of videos: Amps In The Zone. In this series, he’s showing us how he likes to dial in classic amps, along with great explanations of why.

We’re going to learn a lot from these videos.

In the first video in the series, Pete takes a look at vintage Marshall amps, along with the Suhr SL68:

I’m scouring it for any tips I can use to get the most out of my Synergy Metro Plex module 🙂

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Pete’s video.

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Boss Katana Artist Amp Demo

Over on In The Blues, Shane has posted his demo and review of the new Boss Katana Artist amp.

The Katana Artist is the new top-of-the-line amp in the Katana series from Boss. If I’ve got this right, it’s the same models as the original Katana amps, in a 100W combo platform with a reworked power section – including attenuation – and a better speaker.

I’ve heard the original Katana 50 at gig volumes, and thought it sounded great in person. Katana isn’t trying to be a digital model of other amps. It’s basically it’s own thing, backed with models from Boss’s 40+ years of pedal heritage.

There is a trick to getting the most out of the Katana. Boss modelled the power section to work the same as a tube amp. Run it with the master volume up full, and adjust the channel volume to suit. The Artist’s reworked power section, with the built-in attenuator, should make it even easier to setup even at home tone levels.

Please head over to YouTube to leave a like and a comment if you enjoyed Shane’s video.

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Metallica’s Guitar Rigs From Sept 17

This is a very interesting video. It’s a walkthrough of the guitar rigs used by Metallica’s James Hetfield and Kirk Hammett.

Okay, here at the HomeToneBlog, we’re playing to an audience of one – not touring the world playing to arenas full of adoring fans hanging on every single note. There’s still a lot we can learn from seeing what the pros use – and why.

Two things in particular caught my eye in this video.

First off was that Metallica have gone entirely digital modelling for their live amps. The AxeFX has reached the point where it sounds good enough to replace tube amps – and whatever difference there is, it’s not big enough to be worth the challenges of using tube amps.

There’s a telling statement from James’ guitar tech partway through, where he discusses how using AxeFX means they have more time to spend on other aspects of the touring process, like guitar maintenance. Digital modelling promises to sound the same night after night. Tube amps don’t.

Kirk’s guitar tech also throws some light on that decision. He talks about how each tube amp has its own character, and what it can be like when you have to switch to a backup amp when the primary tube amp dies.

The second thing that stood out for me was how they’ve gone with analogue signal paths and switching. Mid-song, they don’t switch patches inside the AxeFX; they switch to a different AxeFX that has the next patch already loaded and ready to go. Why? Analogue just doesn’t have any added latency. Switching is instant.

Something to think about if you’re thinking of gigging with a digital amp yourself one day.

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Setting Up Synergy Amps Back At The Cave

This is a first look at the Synergy Amps system now that it’s home, where I can hear it through my cabs and with my guitars. 

I’ve been away for work this last week, and whilst I over the other side of the country, I managed to pick up a set of Synergy Amps modules, enclosures and the power amp.

Now that I’m back at the Hermit’s Cave, time to unbox everything … just to make sure it survived the journey, right? 😀

So what have we got here?

  • 2 x Synergy SYN-1 module enclosures
  • 1 x Synergy T-DLX preamp module
  • 1 x Metropoulos Metro Plex preamp module
  • 1 x Synergy SYN-5050 4x6L6 power amp

They’re sat on top of a pair of Victory Amps 1×12 cabs. The top cab is a V112-C with a G12M-65 Creamback, and the bottom cab is a V112-V with a V30.

Let’s talk about the power amp first. I have a lot more to say about it than I expected to.

Synergy SYN-5050 Power Amp

The power amp is deceptively heavy. The SYN-1 enclosures aren’t exactly featherweights either. It’s all solid stuff. If it was all mounted into a rack, I wouldn’t want to be moving it around much.

When I switched the power amp on, first thing I noticed is that the internal fan is loud. Loud enough to be heard when playing at home tone volume levels. It’s loud enough to be an issue for my environment. I’m hoping that it’ll be less noticeable once it’s properly racked. Failing that, the sound reminds me of one of those old 90s computer fans. Maybe it’s possible to replace it with something more acoustically engineered?

(I’ll do a follow-up post at some point talking about why fan noise is important.)

I’ve owned a few rack-mount power amps over the years. This one’s a little different to what I’ve seen before. This isn’t a dual mono-block power amp. It took me a bit of fiddling to get both channels working, and at first I really thought that Channel B wasn’t working. It was working, it’s just that Channel B’s volume control isn’t always active.

I’ll do a dedicated post about the SYN-5050’s 3 modes of operation shortly.

One reason why I want to make that a separate post is the manual that comes with the SYN-5050. I didn’t find the manual any help at all. I’m hoping it’s just that the manual is a draft, and that they’ll improve it as time goes on. The diagrams aren’t labelled, the text refers to sections that aren’t included, and the description of MONO, MONO-BRIDGED and STEREO modes wasn’t clear enough for me.

On the front of the power amp, the STANDBY/ON switches for Channel A and Channel B are next to each other. I’ve already switched Channel B on by mistake at least once. Fortunately, I had a cab plugged into Channel B, so no harm done. But be aware of it. It’s an accident waiting to happen.

The amp itself sounds great. It’s 50W in MONO and STEREO modes, and 100W in MONO-BRIDGED mode, I believe. The volume range is very usable for home use – already a bonus compared to many Fender amps! I’m looking forward to running it through the Two Notes Torpedo Captor so that I can crank it a bit and hear that lovely power tube saturation.

I’ve been after a rack-mountable 6L6 power amp for many years. The old Mesa Boogie 2:90 was on my wishlist for a long time. The sheer weight of it always put me off. That, and how much it would cost to revalve! I’ve been using software-based emulation in the mean time, which certainly does a job. I’m very pleased that I don’t have to any more 🙂

So what are the two modules like?

Synergy T-DLX Preamp Module

This module takes drive pedals really well. Especially on the red channel, which I believe is voiced like a Fender Deluxe. Some pedals just don’t shine through the Blackstar HT-100. I’ve had a couple of them out the cupboard and through the T-DLX, and so far I like what I’ve heard.

Early days yet. I need to do some recording and mixing before I can say that this is definitely a great pedal platform.

The module sounds good through the G12M-65. I would like to pair it with a Celestion A-Type soon, to get even closer to that Fender DRRI tone. I’m going to take a looat at how easy it is to swap speakers in the Victory cabs. Not sure yet whether I’ll swap out the V30, or just pick up a third cab and swap the speaker in that.

Metropoulous Metro Plex Preamp Module

The Metro Plex doesn’t take drive pedals at all. When I kick in the pedal, all the bottom end disappears. And I don’t care.

Because this thing sounds utterly glorious with a Les Paul.

I lost what – an hour and a half? two hours? – last night just playing straight into it. Hit the front end with a compressor (like my favourite, the Forest Green Compressor from Mad Professor) or a Wampler Tumnus, and it’s amp drive heaven. I’ve never been a fan of amp drive before. This module has converted me 🙂

Well … almost. I haven’t yet managed to dial in a touch-sensitive kind of crunch. Hopefully I’ll find it. If not, it’s still a special sound, and this module is a keeper regardless.

So Is This A Great Pedal Platform?

I bought this rig to be a completely-overkill pedal platform. The plan was to run pedals into both modules at the same time – a la That Pedal Show and their dual-amp setup – to get the best blended tone possible.

Then I got sidetracked a bit, because I had the opportunity to get the Metro Plex module. The early YouTube demos had deeply impressed me. I didn’t think there were any in the country, so when Peach Guitars said they had one, that was a no-brainer. I really don’t care that it doesn’t take pedals. It’s worth having for what it does.

So, going forward, I’ve got a couple of options.

  1. Get a third preamp module (like the B-MAN or Morgan AC) to be the second amp for my pedal platform.
  2. Keep the Blackstar HT-100, and use its preamp as the second amp.

I’ve already got the HT-100, and I know it takes many drive pedals very well. I’m going to wire that up into the SYN-5050 and give that a go first.

I don’t have a second Torpedo Two Notes Captor atm, and once again they’re on backorder at the retailers. I’m going to have to wait a few weeks before I can try this out.

And let’s not kid myself. I’ve been looking for a platform like Synergy ever since I decided that I’d had enough of digital amps. Unless I run into some big disappointments once I start recording this setup, I am going to collect the other modules over time.

Final Comments

I’ve spent years building a sound around my pedals into the Blackstar HT-100. Getting the Synergy Amps system has blown that up to a certain extent.

It’s going to be a few weeks before it’s fully integrated into my little home project studio here at The Hermit’s Cave. Probably won’t be able to get that done until Easter weekend. After that, I’m going to need time using it to learn how to get the best out of it.

I’ll be posting updates about that as I go.

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Danelectro Billionaire Pedals Demo

My local shop A-Strings has just posted a quick look at the new Danelectro Billionaire pedals, through a cool-sounding 5w Supro amp.

https://youtu.be/2rqAxhgZrks

There’s four pedals in the range: a boost, a drive pedal, a tremolo and a rotary speaker simulator. It’s a good choice: it’s easy to imagine all 4 on the same pedal board, as a complete pedal board.

I love drive pedals, so it’s almost inevitable that I’ll pick up the Pride of Texas pedal to try at some point. That rotary speaker pedal though … that’s the one that’s really caught my eye. I’m wondering how that’ll sound with a semi-acoustic guitar.

A quick shout out to A-Strings too. They’re my local guitar shop, and in my experience they’re the friendliest store in the whole of South Wales. They’ve just started stocking PRS USA Core model instruments. I’m looking forward to their demos of those!

Please head over to YouTube to leave a like and a supportive comment if you enjoyed their video.

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In The Blues Podcast / Vlog: Amp Talk

Over on the In The Blues YouTube Channel, Shane has posted his latest podcast episode in its new format. This one is all about amps that Shane has recently played.

I thought that my own views on the Kemper echo Shane’s: a great studio tool that doesn’t take pedals at all well. I’ll be writing a lot more about the Kemper soon!

He also covers the PRS J-MOD 100, BOSS Katana Artist, and the Line 6 Helix. I’m always interested in what he has to say about amps. He’s played a lot of gear over the years, and he’s a gigging musician to boot.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Shane’s podcast video.

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The Ultimate Metal Rig?

Over on the Andertons YouTube channel, Joss has built his ultimate metal rig – and it sounds epic.

The basic premise is that this is the kind of rig that Joss would use both to record with, and to gig with. It’s a straight-forward, no-nonsense rig that will handle both lead and rhythm duties in one. If heavier tones are your thing, it’s well worth a watch.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Joss’s video.