Tone. At Home.
What do I think about a piece of new (to me) gear at first? We all know first impressions don’t last, but at least this way I can look back and see how my opinion has changed from when I first tried something.
I recently picked up a new (to me) Bearfoot FX Honey Bee X overdrive pedal.
Is this going to be the Honey Bee variant to rule them all? Will it be the Honey Bee that finally knocks my beloved Sweet Honey Overdrive (SHOD for short) off my pedal board?
Read on for my First Impressions.
Continue reading “First Impressions: Honey Bee X Overdrive Pedal”I recently picked up the black sheep of the legendary Honey Bee pedal family: the Honey Beest.
And I’m going to get through this First Impressions review without making any jokes at all about it being a beast of a pedal 
At the tail-end of April, I picked up a new (to me) Les Paul. It’s a little bit different to a regular R8 Historic Reissue … and it just might be my new #1 guitar.
Read on for my First Impressions.
Continue reading “First Impressions: Gibson Les Paul ‘Cloud 9’ Chambered Reissue 1958”I recently picked up another tweed tone pedal: the Gee Willikers (Model G) overdrive pedal from Bearfoot FX.
What do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: Bearfoot FX Gee Willikers (Model G) Overdrive Pedal”Back in January 2023, I picked up something a bit different: a pedal that’s designed (amongst other things) for boosting tweed amps.
Read on for my (overdue!) First Impressions, with audio examples too!
Continue reading “(Overdue) First Impressions: Lazy J Cruiser Deuce Boost Pedal”Now that I’ve spent a little bit of time with the new reissues of Marshall’s legendary drive pedals, I think it’s worth talking about them collectively.
You can read my individual First Impressions of each pedal here:
Read on for my First Impressions of the vintage reissue drive pedals.
Continue reading “First Impressions: Marshall Vintage Reissue Drive Pedals”At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals. I’ve already posted my First Impressions on the ShredMaster and DriveMaster pedals.
Last, but not least, it’s time to explore the most legendary of them all: the Bluesbreaker. Here are my First Impressions.
Continue reading “First Impressions: Marshall Bluesbreaker Vintage Reissue Overdrive Pedal”At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals, and I’m gradually working my way through each of them.
The DriveMaster is (basically) Marshall’s legendary The Guv’nor pedal, just in the same housing that they used for the Bluesbreaker and ShredMaster pedals.
And if you love the sound of Marshall amps, you’re going to want one for yourself. It’s that good. That’s what I think, anyway. Read on for a bit more detail in my First Impressions.
Continue reading “First Impressions: Marshall DriveMaster Distortion Pedal”At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals. The original pedals are all legendary pedals, much revered in the guitar pedal community. Alas, that means that the original pedals also come with second-hand prices to match.
These re-issues are bringing these classic circuits back within reach of regular guitarists (just about …).
Regular readers might be wondering why I bothered with the ShredMaster at all, and why I’m posting about this pedal first. There’s a good reason for that. Read on for my First Impressions.
Continue reading “First Impressions: Marshall ShredMaster Distortion Pedal”At the end of September, seemingly out of the blue, PRS dropped their first three guitar pedals ever: an overdrive (the Horsemeat), a double-flanger (the Wind Through The Trees) and this one, an optical compressor (the Mary Cries).
Mine has just arrived. What do I think of it? Is it worth the price? Read on for my First Impressions.
Continue reading “First Impressions: PRS Mary Cries Optical Compressor”