I recently bought a Fractal Audio Axe-FX 3 mkII rack unit, for use at home.
Why did I get it, and how am I getting along with it so far? Read on for my First Impressions.
Continue reading “First Impressions: Axe-FX 3 Mark 2 As An FX Processor”Tone. At Home.
The things we can use to bottle up our tone and put it on display for all to marvel at!
I recently bought a Fractal Audio Axe-FX 3 mkII rack unit, for use at home.
Why did I get it, and how am I getting along with it so far? Read on for my First Impressions.
Continue reading “First Impressions: Axe-FX 3 Mark 2 As An FX Processor”After a couple of months with no new (to me) gear, May has been a very busy month.
There’s a few items I’ve been after, both professionally and for home use. All of these things needed to be imported: some because they’re not sold in the UK, and some because they are sold here but are constantly out of stock.
With the UK government threatening to illegally break its own treaty and start a (doomed) trade war with Europe, I was worried that I wouldn’t be able to get them if I didn’t act now. On top of that, rampant inflation means that buying later means paying a lot more.
Now that they’re here, what do I think of them? And how was the import process? Read on for my First Impressions.
Continue reading “New Arrivals: May 2022”When I was doing my research into studio monitors, there was a concept that kept coming up time and time again. All the pros said the same thing: you’ve got to learn the sound of your monitors in your space.
This week – almost 18 months after getting my studio monitors – I finally understand what that means.
Continue reading “Studio Diary #33: Things Are Clicking With My Studio Monitors”Last week, I finally did it: I replaced all the home-made wiring in my rack with professionally-made cables. And, seeing as I was taking everything apart anyway, I used it as an opportunity to give everything a much-needed clean too.
Why did I do this? What was involved? How long did it take? And was it worth the trouble and expense? Read on to find out.
Continue reading “Studio Diary #32: Rewiring The Studio Rack”Attenuators are one of the reasons we can enjoy valve amps at home without upsetting the neighbours. I’ve never really thought about how they affect the overall tone … until now.
In this blog post, I’m going to look at the two attenuators that I have – the Two Notes Captor and the Fryette PS-100 Power Station – and work out what they sound like. And I’m including some sound samples, so that you can hear the differences for yourself.
Continue reading “Studio Diary #31: Attenuators Colour The Sound”Let’s be honest … it’s past time that I did something to acoustically treat this room.
Here’s what I’ve done so far, and why.
Continue reading “Studio Diary #30: Acoustic Treatment For The Home Recording Studio”Last summer, I bought a Fryette Power Station PS-100 as an emergency purchase, so that I could use my Tweed Deluxe at home volume levels.
Nine months later, how am I getting on with it? Would I buy it again if anything happened to it? And would I recommend it to you? Read on to find out.
Continue reading “Short-Term Review: The Fryette Power Station PS-100”I’ve recently switched back from Universal Audio’s LUNA DAW to good old Reaper. Why? Because I need to work on some midi drums, and LUNA doesn’t really support that yet.
This is partly a note to myself, and partly a tutorial, on how I setup Superior Drummer 3 and Reaper to work well together.
Continue reading “Studio Diary #29: Setting Up Superior Drummer 3 In Reaper”We’ve just started band rehearsals again, after a 2 year break because of the global pandemic. That means that my time with LUNA has to come to an end, at least for now.
Continue reading “Studio Diary #28: Returning To Reaper, After 2 Years Of LUNA”I recently bought a new compressor pedal: Fender’s The Bends. It has a reputation for being a very boring compressor pedal. That’s good: I’m a boring guitar player, and I like boring gear. The question is: is it too boring?
Read on for my First Impressions.
Continue reading “First Impressions: Fender’s The Bends Compressor Pedal”