#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
Today, I want to feature MP Audio’s Blue Brit Overdrive pedal, and show how it can be combined with a Klon klone to shape and craft a tone even further.
I had a (very minor!) bit of emergency surgery at the end of July, which really limited how much time I could spend with the guitar this month. At the time this is published, I’m pretty close to being fully recovered, and looking forward to getting a few more blog articles written.
I did pick up a couple of pieces of gear to try. It’s fair to say that I had mixed feelings afterwards …
#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
This is a second (and lengthy!) look at the LPD Pedals Dutch ’24 that I recently bought.
Walrus Audio 385, LPD Pedals Dutch ’24 and Mad Professor Little Green Wonder on my pedalboard.
I’ve already written a First Impressions on the Dutch ’24. In that, I said that I’d briefly tried it as a main overdrive, and was a bit meh about it. (You should definitely go and read that post. I was very happy with how it helped me address the top-end of position 4 on my Strat.)
When used as a main overdrive, I’m finding the Dutch ’24 both incredibly familiar and – at the exact same time! – quite different too.
It’s been bugging me ever since.
So I spent a couple of evenings at the start of the week comparing the Dutch ’24 against other pedals aimed at the blues-rock market.
Along the way, I fell in love with how the Dutch ’24 is its own thing.