Signal Chain – HomeToneBlog.com

21st September 202414th September 2024

Studio Diary #55: Tackling Noise In The Axe-FX 3 Pedal Platform Preset

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Back in July, I tackled the major cause of noise by sorting out the gain-staging for my pedal platform preset. However, that hasn’t completely eliminated all noise in the signal chain. (Some noise is inevitable.) What can I do about the noise that’s still getting through?

That’s what I’m going to look at in this blog post.

24th June 202423rd June 2024

Studio Diary #50: Dialling In The JTM Amp & Cab

Most pedals that interest me will work best into a clean amp – either my 65 Clean preset or (for many tweed-tone pedals) my 57 Vintage preset. Every now and then, though, I take a look at a pedal that’s designed to run into a dirtier amp.

That’s where my JTM preset comes in.

14th June 202410th June 2024

Studio Diary #48: Dialling In The 65 Blackface Amp & Cab

I’ve just finished documenting the thought process behind the scenes that I will use for my beloved tweed tone pedals. Now it’s time to switch my attention to the scenes that most pedals will use: a ’65 Fender “blackface” tone.

10th June 20249th June 2024

Studio Diary #46: My Philosophy For Building Pedal Platform Presets For Digital Modellers

When I started building my own pedal platform presets for the Axe-FX 3, my goal was to recreate the sound of my old valve amp rig. I really wanted to demonstrate how these pedals might sound if you put them through your own valve amp at home.

I’m not trying to do that any more.

In this blog post, I’m going to do my best to explain why. Grab a drink, there’s a lot to talk through!

2nd January 202330th December 2022

Studio Diary #37: Can I Use The Axe-FX 3 As A Power Amp For My Synergy Rig?

I’ve had a lot of success – and a lot of joy – using my Axe-FX 3 to record guitar pedal audio demos. Heck, it sounds so good, it’s my go-to pedal platform all the time now.

Can I do the same with my Synergy rig? Instead of running my Synergy modules through the SYN-5050 power amp + attenuator, can I run them straight into the Axe-FX 3 instead? Can the Axe-FX 3 add a bit of that power amp tonal magic?

I’m going to experiment, and find out.

29th October 202228th October 2022

Studio Diary #36: Why Does My Fryette Power Station Squeal?

For the last couple of months, I’ve been dealing with a problem with my Fryette PS-100 Power Station: it emits an awful squeal.

I’ve figured out why: it was caused by a ground loop. Read on if you want to know the whole story.

4th June 2022

Studio Diary #32: Rewiring The Studio Rack

Last week, I finally did it: I replaced all the home-made wiring in my rack with professionally-made cables. And, seeing as I was taking everything apart anyway, I used it as an opportunity to give everything a much-needed clean too.

Why did I do this? What was involved? How long did it take? And was it worth the trouble and expense? Read on to find out.

30th May 2022

Studio Diary #31: Attenuators Colour The Sound

This photo shows the front panel of my Fryette PS-100 Power Station attenuator. To one side, we can also see a glimpse of my Two Notes Captor too. — The Two Notes Captor and Fryette PS-100 Power Station

Attenuators are one of the reasons we can enjoy valve amps at home without upsetting the neighbours. I’ve never really thought about how they affect the overall tone … until now.

In this blog post, I’m going to look at the two attenuators that I have – the Two Notes Captor and the Fryette PS-100 Power Station – and work out what they sound like. And I’m including some sound samples, so that you can hear the differences for yourself.

28th February 20205th July 2020

New Arrivals For February 2020

Winter NAMM 2020 has been and gone, and now we wait for announcements to become shipping product … and then to reach the UK, which can sometimes take months longer.

I’ve pre-ordered a couple of things that were announced at (or around) NAMM. They’re going to take up most of my gear budget this year. The PRS S2 Singlecut McCarty 594 might arrive by the summer. We already know that Neural DSP’s Quad Cortex won’t arrive until the autumn at the earliest. At least I don’t have to wait as long for the Lark (Rhett Shull’s new signature pedal from Mythos Pedals); that should ship in March.

I’m still keeping an eye out for interesting bits of gear, but it’s got to be pretty special – and at a special price. By and large, I’m only looking to pickup pedals to help me fill in the gaps in my collection, or provide complementary tones for recording with.

Finally, I may have finished my planned revamp of the home studio, but now I’m sitting down to use it, I’m finding that a few things need sorting out, and that there’s a few gaps that are nagging at me a bit. I’m going to be tackling those, but not all in a single month 🙂

Here’s what arrived this month.

5th February 20205th July 2020

First Impressions: Two Notes Torpedo CAB M

The Two Notes Torpedo CAB M is a little computer in a pedal. The whole point of it is that you don’t need to mic up an actual guitar cabinet to get a great guitar tone. Instead, it uses impulse responses to emulate what a cab & mic does to the signal from your amp.

I recently bought one to add to my home studio setup. I’m going to be using it to help me record electric guitar. I spent an evening after work getting it setup and dialled in, and then returned to it the following day for several hours.

How did it go?

NB: I’ve updated this article with some corrections. You’ll find the corrections in [square brackets].