Tone. At Home.
Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.
Today, I’ve grabbed my Ritual Devices Grey Overdrive, to find out how well it can rock out when I’m playing single-coil bridge pickups.
Continue reading “Quick Listen: Ritual Devices Grey Overdrive With Strat And Tele Bridge Pickups”New year, new (and hopefully improved!) reference tone from my Fender 57 Custom Deluxe amp.
All made possible thanks to a late 2024 freebie from Origin Effects … and me figuring out how I’d been using my Fryette Power Station PS-100 wrong …
Continue reading “#TweedTone: Dialling In A 5e3 Tweed Deluxe Reference Tone For 2025”Quick Listen is where I capture and share guitar tones that I’ve dialled in. No exploration; little discussion – just a quick audio demo or two along with a documented signal chain.
Today, I’ve dusted off the plexi-style amp that I bought back in 2019, and paired it with a Gibson Les Paul and Celestion Creamback impulse responses. Have a listen.
Continue reading “Quick Listen: Plexi-Style Amp with a Les Paul”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Last time, I covered how I’ve split my old ’65 Clean’ pedal platform preset into two, by adding a new ’65 Vintage’ preset based on the two Deluxe Reverb amp models. Yeah, turns out there’s a bit more mileage to be had out of those amp models …
Continue reading “Studio Diary #58: Introducing The 65 Nashville Pedal Platform Preset”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
I recently took a look at Umbrella Company’s Hitchhike Drive tweed-in-a-box overdrive pedal. The whole blog post ended up being rescued by the Axe-FX 3’s Deluxe Reverb amp model. Since then, I’ve tried it with a couple of other pedals and had a similar experience.
A single ’65 Clean’ pedal platform patch clearly isn’t enough. I need to split it up into two separate flavours.
Continue reading “Studio Diary #57: Splitting My 65 Clean Pedal Platform Patch In Two”Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what amps I’m using for pedal platforms, and why.
Previous years: [2019] [2020] [2021]
Continue reading “2022 Review: Pedal Platform Amps”Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what home studio gear I’ve used this year, and why.
Previous posts in the series: [2019]
Continue reading “2020 Review: Home Studio Gear”Now that I’ve added the Two Notes Torpedo CAB M to my setup, the next challenge is to set it up to sound like my actual speaker cabs do.
One day, I want to make my own impulse responses of my speaker cabs. I want to be able to share them with you, so that you can recreate the signal chain I use for yourself. That’s something I can’t do with any impulse responses that I buy.
I’m going to be using Celestion’s official impulse responses on the CAB M, until I can replace them with my own impulse responses.
Continue reading “Studio Diary #18: Recreating The Sound Of My Speaker Cabs Using Celestion Impulse Responses”Johan Segeborn – the master of tone comparison videos – believes that the speaker is the single most important component in creating vintage guitar tones. He’s put together a whirlwind demonstration of a number of vintage Celestion speakers to show us why.
Speakers are such simple things on the surface, yet – as Johan demonstrates – there’s a lot of variables that make an audible difference. And if you can hear the difference on YouTube, imagine how big the difference is in the room, or in any kind of recording.
Watch the difference to hear how these speakers vary, and then please head over to YouTube to leave a like and a supportive comment.