Henning has posted his full demo of the Chase Bliss Audio Warped Vinyl HiFi Pedal. I was intrigued by his mixed track demo from earlier. How will the pedal fare in a detailed demo / review?
It’s a long review, because this pedal has a lot of ways to shape the effect. Far more, it turns out, than Henning has time to go into. Not only are there more controls than your average chorus pedal, there’s a lot of dip switches on the top edge of the pedal to shape things even more.
This is definitely a pedal for those of you who are adventurous and willing to put in the time to explore just what this pedal can do.
Please head over to YouTube to leave a like and a supportive comment if you enjoyed Henning’s video.
Henning’s just put up a quick demo of a very interesting piece of gear – a 40W that sits on your pedalboad. Not a drive pedal – a full-blown amp, complete with FX loop!
If you’re a gigging musician, having a backup amp of some kind is essential – especially if you gig with real valve amps. Lugging a spare amp around isn’t fun. And depending on what you buy, that’s a lot of money tied up in it, especially as you hope to never actually have to use it.
Some kind of backup that can sit on your pedalboad – just in case – has a lot of appeal.
And for us home tone chasers, if you can’t have / don’t want a traditional amp at home, this kind of thing is well worth looking at as an alternative to using modelling amps or software amp sims.
I’ll post the full review when Henning uploads it. This could be one to watch.
Please head over to Henning’s channel to leave a like and a supportive comment if you enjoyed Henning’s video.
Ever wondered what the Chase Bliss Warped Vinyl HiFI pedal sounds like in a professionally-produced track? Henning has you covered:
I love these kind of demos. It’s very useful to hear someone try a pedal out by itself – that mimics us Home Tone Chasers noodling at home. It’s also great to hear what a pedal can sound like in a recording, for those of us who like to try our hand at creating our own tracks.
The pedal itself? I’m looking forward to the full demo, to see just what it can do.
Please head over to YouTube to leave a like and a supportive comment if you enjoyed Henning’s video.
Henning Pauly has just published an in-depth look at Universal Audio’s OX amp top box. It’s a much-anticipated reactive load box, attenuator, and digital speaker simulator all in one.
If you’ve not come across Henning before, he’s been doing great YouTube gear demos for years. He’s a professional musician and producer, running his own recording studio over in Germany. Anyone who makes living from running a recording studio is worth learning from – they have to know what they’re on about to stay in business.
A long video, so you might want to make a drink before you settle down to watch this one.
Personally, I’m reluctant to sink money into digital gear, as a rule. Digital gear isn’t cheap, and you’re unlikely to still be using it five years down the road. If you put the same money into analogue gear, that gear can last you 20+ years. And it often sounds better.
Universal Audio though is one exception to my rule. The Apollo gear isn’t cheap, sure, but it’s a heck of a lot cheaper than the gear that the Apollo system models. Much of that gear is unobtainium to us home tone folks … and where would we put it even if we could get our hands on it?
The OX is an option for anyone looking to record real amps silently at home. You plug your amp’s speaker out into the OX, and take a line from your OX into your recording interface. No need for a real speaker, or the hassle of mic’ing up your cab.
You’re limited to the models that Universal Audio provides; this thing won’t run your favourite impulse responses. Henning covers that in his video. I imagine that UAD will make more models available in the future, if the OX sells well enough.
It sounds fantastic in every demo I’ve watched so far. And price wise, it seems very competitive with its main competitor, the Two Notes Torpedo Studio.
At the moment, I’ve gone down the Two Notes Captor route. I’ve built up a collection of impulse responses over the last 4 years, and they’re more than good enough for what I do. (I’ve also picked up a Kemper. More about that soon!)
But I will be keeping an eye on the OX. I really want to move more of the signal chain off the computer, and reduce the amount of work it has to do when I’m recording … and the OX would be a great way to do that.
Please head over to YouTube and leave a comment if you liked Henning’s video.
