Studio Diary #37: Can I Use The Axe-FX 3 As A Power Amp For My Synergy Rig?

I’ve had a lot of success – and a lot of joy – using my Axe-FX 3 to record guitar pedal audio demos. Heck, it sounds so good, it’s my go-to pedal platform all the time now.

Can I do the same with my Synergy rig? Instead of running my Synergy modules through the SYN-5050 power amp + attenuator, can I run them straight into the Axe-FX 3 instead? Can the Axe-FX 3 add a bit of that power amp tonal magic?

I’m going to experiment, and find out.

Continue reading “Studio Diary #37: Can I Use The Axe-FX 3 As A Power Amp For My Synergy Rig?”

First Impressions: PRS Mary Cries Optical Compressor

At the end of September, seemingly out of the blue, PRS dropped their first three guitar pedals ever: an overdrive (the Horsemeat), a double-flanger (the Wind Through The Trees) and this one, an optical compressor (the Mary Cries).

The photo shows the PRS Mary Cries optical compressor, sat on my pedal board.
The PRS Mary Cries Compressor Pedal

Mine has just arrived. What do I think of it? Is it worth the price? Read on for my First Impressions.

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Studio Diary #31: Attenuators Colour The Sound

This photo shows the front panel of my Fryette PS-100 Power Station attenuator. To one side, we can also see a glimpse of my Two Notes Captor too.
The Two Notes Captor and Fryette PS-100 Power Station

Attenuators are one of the reasons we can enjoy valve amps at home without upsetting the neighbours. I’ve never really thought about how they affect the overall tone … until now.

In this blog post, I’m going to look at the two attenuators that I have – the Two Notes Captor and the Fryette PS-100 Power Station – and work out what they sound like. And I’m including some sound samples, so that you can hear the differences for yourself.

Continue reading “Studio Diary #31: Attenuators Colour The Sound”