November has been a very quiet month for me. I’ve mostly been busy on my #TweedTone comparison series.
But I did pickup something that I’ve been after for a while now …
Continue reading “New Arrivals: November 2023”Tone. At Home.
November has been a very quiet month for me. I’ve mostly been busy on my #TweedTone comparison series.
But I did pickup something that I’ve been after for a while now …
Continue reading “New Arrivals: November 2023”I’m lucky enough to own a physical Tweed Deluxe amp. I also think that a Tweed Deluxe amp rig for home use has become so expensive in 2023, it’s difficult to justify. So I’ve started looking at alternatives, to see how they compare to the real thing.
This time around, I’ve got a different kind of question that I want to explore. Can I recreate the UAFX Woodrow’s speaker emulation in my Axe-FX 3, using only the stock cabs?
And why would I want to?
Continue reading “#TweedTone: Can The Axe-FX 3 Reproduce The Speaker Emulation Of The UAFX Woodrow?”I recently picked up a Carl Martin PlexiTone Lo-Gain overdrive pedal.
What does it sound like? And what do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: Carl Martin PlexiTone Lo-Gain Overdrive Pedal”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
This time around, I want to answer a question that nobody has asked me. Why am I using DAW plugins for delay and reverb, instead of my Axe-FX 3?
Read on if you’re interested in my thinking behind this decision. And if you’re not interested, no worries 🙂
Continue reading “Studio Diary #39: Why I Use DAW Plugins For Delay And Reverb On My #TweedTone Comparisons”I’m lucky enough to own a physical Tweed Deluxe amp. I also think that a Tweed Deluxe amp rig for home use has become so expensive in 2023, it’s difficult to justify. So I’ve started looking at alternatives, to see how they compare to the real thing.
Today, I’m looking at Wampler’s classic Tweed ’57 overdrive pedal.
Continue reading “#TweedTone: How Does The Wampler Tweed ’57 Pedal Compare To A Real Tweed Deluxe Amp?”Today, I’ve reached a small milestone on the HomeToneBlog. This is the 500th blog post.
To mark the occasion, I just want to say a big thank you to everyone who has read anything on here. I appreciate you taking the time to wade through my love of guitars and related gear 🙂
I’m lucky enough to own a physical Tweed Deluxe amp. I also think that a Tweed Deluxe amp rig for home use has become so expensive in 2023, it’s difficult to justify. So I’ve started looking at alternatives, to see how they compare to the real thing.
This time around, I’m looking at Tech 21 NYC’s SansAmp Blonde pedal.
Continue reading “#TweedTone: Is The Tech 21 NYC SansAmp Blonde A Good Alternative To A Real Tweed Deluxe Amp?”I’ve just finished writing up both my First Impressions of the NUX Sixty-Five and my look at Universal Audio’s UAFX Woodrow Tweed Deluxe amp simulator pedal. Seeing as both are on the board at the minute, I thought: why not get some Strat tones out of both, and see how they compare?
I think this is worth doing. As much as I love tweed tone, there might be times where something else is a better option for me. And clean-ish Strat tones just might be one of those times.
Read on to find out what I think (with audio demos!).
Continue reading “#TweedTone: UAFX Woodrow vs NUX Sixty-Five For Stratocaster Tones”