Month: November 2024

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

Last time, I covered how I’ve split my old ’65 Clean’ pedal platform preset into two, by adding a new ’65 Vintage’ preset based on the two Deluxe Reverb amp models. Yeah, turns out there’s a bit more mileage to be had out of those amp models …

Continue reading “Studio Diary #58: Introducing The 65 Nashville Pedal Platform Preset”

‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.

Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.

I recently took a look at Umbrella Company’s Hitchhike Drive tweed-in-a-box overdrive pedal. The whole blog post ended up being rescued by the Axe-FX 3’s Deluxe Reverb amp model. Since then, I’ve tried it with a couple of other pedals and had a similar experience.

A single ’65 Clean’ pedal platform patch clearly isn’t enough. I need to split it up into two separate flavours.

Continue reading “Studio Diary #57: Splitting My 65 Clean Pedal Platform Patch In Two”