Tone. At Home.
Pedals, pedalboards, and anything to do with these little boxes of joy :)
I recently picked up a Tomahawk Deluxe overdrive pedal from Greer Amps.
What do I think of it? Read on for my first impressions.
Continue reading “First Impression: Greer Amps Tomahawk Deluxe Drive Pedal”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
Most pedals that interest me will work best into a clean amp – either my 65 Clean preset or (for many tweed-tone pedals) my 57 Vintage preset. Every now and then, though, I take a look at a pedal that’s designed to run into a dirtier amp.
That’s where my JTM preset comes in.
Continue reading “Studio Diary #50: Dialling In The JTM Amp & Cab”I recently picked up a JRAD Monkeyman tweed overdrive pedal.
I think this is a fantastic tweed-tone pedal. Read on for my First Impressions, where I’ll try and demonstrate why.
Continue reading “First Impressions: JRAD Monkeyman Tweed Overdrive”Today, I want to answer one question: can vintage profiling tech recreate the sounds of vintage amps?
Read on to find out.
Continue reading “Can The Kemper Profile Tweed Tone?”This month, I’ve picked up a couple of bucket-list tweed-tone pedals, a couple of new instruments to learn … and hopefully a replacement for one of the biggest disappointments that I’ve ever bought.
What did I get? Read on to find out.
Continue reading “New Arrivals: May 2024”I recently bought a ToneX One pedal.
What do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: ToneX One Modeller Pedal”I’ve just bought a DanDrive Tweedy 5B3 overdrive / amp-in-a-box pedal.
I’m in shock over how good this pedal is (for me). Read on to hear why.
Continue reading “First Impressions: DanDrive Tweedy 5B3”I’ve just bought a Tweed Drive by True North pedals.
What do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: True North Pedals Tweed Drive”#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
This week, I want to share a new (to me) way of using Klons and klones. I’ve just given it a go, and I just have to write up the results for the blog. I think they’re very promising!
Continue reading “#CoffeeAndKlon 38: Using The Klon To ‘Fix’ Other Drive Pedals”‘Studio Diary’ is an occasional series where I talk about building a home recording setup for hobbyists and enthusiasts like us. I share my personal experiences, and the thinking behind some of the decisions that I’ve made along the way.
Fractal Audio have recently overhauled their amp modelling in the Axe-FX 3 / FM-9 / FM-3. And my recent dive into the Orange Getaway Driver has shown me that I need to revoice my signal chain. I’m taking this as an opportunity to re-evaluate everything about the pedal preset I’ve built for the Axe-FX 3.
In this post, I want to explain something that I haven’t seen other people do; namely, why I build support for different guitars into the same pedal platform patch.
Continue reading “Studio Diary #42: Why I Need To Support Different Guitars In One Preset”