5 Way Amp Recording Shootout

Check this out. Michael Nielsen has posted a video comparing a real mic + cab setup vs 5 different ways to record silently at home. And he’s picked a great way to do it too.

He’s recorded the best sound he could with each approach, and used them in a mix so that you can hear the kind of final results you might be able to get. Best of all: the guitar is soloed to begin with, to give you a taste of what it’s like to simply noodle through each setup.

It isn’t a straight comparison. The real cab has V30s in it, and is mic’d using an SM57. The impulse responses used are of G12M Creambacks with a couple of different mics, and I’d swear that the OX is emulating G12Hs not G12Ms. But that’s kinda the point. He’s gone and done exactly what we’d do ourselves – dial in what he thinks sounds the best.

Do have a read of the comments people have been leaving on his video. It’s clear that not only do people have different tastes, but that different people actually hear different things too.

The other thing that’s interesting? Play it back to back a few times. Once ear fatigue kicks in, just how much difference can you hear any more?

(And just how good does that BE-100 sound?!? Me want …!)

Please head over to YouTube to leave a like and a supportive comment for Michael’s video.

Fender Pedals Demo

We’ve already seen AStrings demo the new Fender pedals, and now it’s the turn of Andertons. Watch the Captain and Danish Pete give you their thoughts on them here:

They’ve got all six pedals out, running them into a Victory V40 Deluxe and a Hot Rod Deluxe v4. These two amps sound very different to the Bassbreaker that AStrings used in their demos, so even if you watched all the excellent AStrings demos, the Andertons’ video offers a different look at these new pedals.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed their video.

Pre-CBS Strat Copy w/ Abigail Ybarra Pickups

Burgs has posted a video of him noodling on a copy of a pre-CBS Strat. What makes this particular copy extra-special is that it’s fitted with a set of pickups wound by Abigail Ybarra.

Everyone has “the one that got away” – a guitar they couldn’t get, didn’t get, or had to sell on. Mine is a Fender 2012 Custom Deluxe Strat, fitted with Abigail Ybarra pickups. It was the best sounding Strat that I’ve ever played.

If you’ve never heard of her, Abigail Ybarra has been winding pickups since the early days. I believe that she retired from Fender a few years ago. There’s something about the pickups she made in her career that just works. They’re highly sought after as a result, especially as it appears that she wasn’t able to pass on her technique to the next generation of pickup winders.

The pickups aren’t the only star in this video. Burgs is noodling a long through his AxeFX, and it sounds really good too. Close your eyes, and see if you can tell it’s digital modelling.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Burgs’ video.

Fender’s Stan Cotey On The New Pedals

This popped up in my Twitter feed of all places this morning. Fender has posted a video interview with Stan Cotey, who heads up the new pedal team inside Fender.

There’s a couple of things in the interview that really caught my attention.

These new Fender pedals aren’t clones of existing circuits; they’re all designed from scratch. That makes me even more interested in trying out the Santa Ana Overdrive for myself now.

Stan also talks about there being more pedals in the pipeline. I wonder what we’ll see next from them?

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Fender’s video.

Fender Santa Ana Overdrive Demo

The lovely folks over at AStrings have posted their third video on Fender’s new pedal lineup. This one looks at the Santa Ana Overdrive pedal.

The Santa Ana is a dual-voiced overdrive with an additional boost circuit if you want it. You can switch between the two voices using a toggle switch on the front panel.

After watching the video, I’m not sure how I’d describe the tone of the Santa Ana Overdrive. I think Adam hit the nail on the head when he said that this is a pedal you need to try for yourself, through the amp of your choice. I’d certainly like to hear it through something like a Hot Rod Deluxe to get a better idea of what this pedal is.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed their video.

Fender Pugilist Distortion Pedal Demo

Tom and Adam from AStrings have just uploaded another demo of one of Fender’s new 2018 pedals: the Pugilist Distortion. This one has some serious chunk to it!

There’s two separate gain circuits in the Pugilist. You’ve got the option of running a blend of them together, or stacking one into the other in series. Either one results in very thick and meaty tone.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed the video.

Fender Marine Layer Reverb Pedal

My local guitar shop AStrings have just posted a demo of Fender’s new Marine Layer Reverb pedal. Check it out.

It looks like the Marine Layer Reverb is a mono pedal, best suited either to go into the front of an amp, or into the FX loop of an amp lacking reverb of its own. Those are two situations where a stereo pedal offers nothing extra that you can use.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed AString’s video.

One Marshall Is All You Need

Continuing this afternoon’s Marshall theme (yeah, the Metro Plex module has made quite the impression this morning 🙂 ), here’s a video from Johan Segeborn looking at a modded Marshall 1987X.

This particular Marshall has been modded so that it can be switched between something like half a dozen classic Marshall circuits. Very cool, if that’s your kind of sound.

It’s also worth a watch just to see how different two guitarists sound, even through the exact same amp and speaker cab.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Johan’s video.

Amps In The Zone: Vintage Marshalls

Pete Thorn – pedal demo maestro extraordinaire – has started a new series of videos: Amps In The Zone. In this series, he’s showing us how he likes to dial in classic amps, along with great explanations of why.

We’re going to learn a lot from these videos.

In the first video in the series, Pete takes a look at vintage Marshall amps, along with the Suhr SL68:

I’m scouring it for any tips I can use to get the most out of my Synergy Metro Plex module 🙂

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Pete’s video.

Boss Katana Artist Amp Demo

Over on In The Blues, Shane has posted his demo and review of the new Boss Katana Artist amp.

The Katana Artist is the new top-of-the-line amp in the Katana series from Boss. If I’ve got this right, it’s the same models as the original Katana amps, in a 100W combo platform with a reworked power section – including attenuation – and a better speaker.

I’ve heard the original Katana 50 at gig volumes, and thought it sounded great in person. Katana isn’t trying to be a digital model of other amps. It’s basically it’s own thing, backed with models from Boss’s 40+ years of pedal heritage.

There is a trick to getting the most out of the Katana. Boss modelled the power section to work the same as a tube amp. Run it with the master volume up full, and adjust the channel volume to suit. The Artist’s reworked power section, with the built-in attenuator, should make it even easier to setup even at home tone levels.

Please head over to YouTube to leave a like and a comment if you enjoyed Shane’s video.