New Arrivals For January 2020

Almost no new gear for me, this month. The gear budget had to go on some urgent car maintenance instead. I can’t complain; the car’s been almost completely trouble-free until now. It’s just one of those things as it gets older (120,000 miles and counting!)

I don’t feel that I missed out, though. Volumes on eBay are definitely up, but not back to the levels of a year ago. If anything, there’s been more interesting guitars than interesting (to me!) pedals … and plenty of people piling on and bidding hard on those pedals.

A couple of items I’d ordered last year did arrive this month. Here’s what I got.

Continue reading “New Arrivals For January 2020”

Fearless Gear Review – Marshall CODE 25

Glen Fricker has posted his thoughts on Marshall’s CODE 25 amp. Given his infamous Line 6 Spider review, this should be good 🙂

I’ve heard the Marshall Code live, being demo’d by Marshall themselves. There were plenty of folks in the audience who not only liked what the CODE offers, they went out and bought one. There’s clearly an audience for this amp.

Please head over to YouTube to leave a like and a supportive comment.

Sidechain Compression How And Why

Glenn Fricker has posted a super-useful introduction to sidechain compression, as part of his Audio Basics series:

Sidechain compression is one of those audio mixing techniques that makes a huge difference to your own recordings. As Glenn explains, it’s used to make a bit of space in your mix whenever you have two instruments competing for the same set of frequencies.

The classic use is to carve out a space for the kick drum. The kick drum is used as a trigger for a compressor on the bass guitar. The compressor reduces the volume of the bass guitar a little bit, so that the kick drum is easier to hear.

I use sidechain compression on my guitar tracks too. I like to turn down my rhythm guitars a little bit when there’s a lead guitar part or a vocal part. I find that it makes it easier to hear the lead / vocal parts, and it helps keep the overall master output volume from jumping too much during those parts.

Please head over to YouTube to leave a like and a supportive comment if you found Glenn’s video helpful.