Henning Pauly has posted a behind-the-scenes look at the setup for his recent live band live streams, showing us the in-ear monitoring he’s been using for the live bands.
You probably won’t ever need an in-ear monitoring system for home playing or home recording. But if you’ve got a band that rehearses or plays live, you need something that’ll protect your hearing and let you hear everything that’s happening.
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Henning has taken a look at the Tommy Iommi boost pedal by Laney.
If you prefer to get your filth from amps rather than pedals, boost pedals are an interesting way to get a bit more from your amp and shape the tone in the process.
The basic idea is that a boost pedal slams the amp’s input with a hotter signal. This causes the preamp to react differently. Exactly how depends on the boost pedal and the amp you’re using.
I own several boost pedals, but I don’t know much about them or how to use them yet. My mate Andrew has offered to lend me several more and teach me all about them. I just need to find the time to take him up on his generous offer!
This video is trademark Henning. It’s a good look at what the Tommy Iommi boost pedal sounds like through several amps set at different gain levels.
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Henning has been working his way through some of the Les Paul-like guitars you can buy from Thomann over in Germany. (They deliver all over Europe). Today, he’s published the last video in the series, looking at the high-end competition.
This video opens up with a Les Paul R8 owned by one of Henning’s friends, and it’s fair to say that it sets the standard for the rest of the video.
They’re all great guitars – as well they should be at that price!
This video does a great job of making a serious point. These are all hand-built guitars. No two will feel the same to play, or sound the same. If you’re ever lucky enough to shop for guitars in this price range, you have to go and try them for yourself, and find out which one calls to you.
Thomas Blug – the Stratocaster King of Europe – has been working on the next generation of his all-analogue Amp1 amp-in-a-pedal. He sat down with Henning, and they’ve done a great demo of the new version.
In this video, they compare the Amp1 Mercury with some of the amps from Henning’s collection – by tone matching the Amp1. Thomas dials in the tones while Henning plays.
The results are impressive.
I lost count of how many times Henning either couldn’t tell the difference between the Amp1 and his amps, or when he simply guessed wrong. In the room, he was clearly impressed – and I couldn’t tell the difference when I watched the video either.
Henning also made an important point that’s worth highlighting. In this video, he’s running the Amp1 into the UAD OX. All too often, demos of the Amp1 use the unit’s DI out, and that’s partially responsible for the lack of interest in the Amp1 in the past.
Even if you’re not interested in the Amp1, this video is worth watching just to watch how Thomas dials in each tone he’s matching. Not only a great player, but also great knowledge and understanding too.
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Walrus Audio’s Luminary V2 Pedal has just launched. Here’s a roundup of the launch day demo videos so far.
As an ex-guitar MIDI synth user, this pedal has really caught my interest. Guitar MIDI currently seems to be in the doldrums. Most manufacturers have pulled out of the market, and the ones that are left haven’t updated their units in a while – which means that they just don’t track as well as something like this.
All these demos showcase great organ sounds. Throw on a shimmer reverb, and I strongly suspect they’ll happily recreate the feel of those orchestral string synth patches of old.
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Revv Amplification have released their G3 distortion pedal, and a whole bunch of YouTube demos have been released to show us what this thing can do.
Here’s a round-up of the demos.
If that lot doesn’t convince you that this is a high gain metal rhythm and lead pedal, I don’t know what will 🙂
Each video shows us something different, whether it’s running the pedal directly into the effects loop of an amp, high gain rock, baritone tones, or simply how it works in front of a wide range of amps.
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Henning is working his way through the new Fender pedals, and today he’s published his look at the Santa Ana Overdrive pedal.
Henning makes a great point at the start of this video, and it’s one that hasn’t come up in any of the other demos that I’ve shared so far. The Santa Ana Overdrive needs 130 milliamps of power. That’s more than most power supplies normally offer.
Watch the video for all the other observations – and tones! – that Henning has on this pedal.
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The first Fender pedal that Henning looked at was the new Marine Layer Reverb. And it’s fair to say that he really liked it.
I haven’t seen him have this much fun trying a pedal in ages. If that isn’t a ringing endorsement of this pedal, I don’t know what is.
For me, this is a pedal that goes in your effects loop. It’s a performance reverb pedal, if you like, rather than a studio tool – because it isn’t a stereo pedal. Which might be exactly what you are looking for, especially if your amp doesn’t have any kind of built-in reverb.
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Henning has taken a look at Fender’s new Mirror Image Delay pedal. And, as Fender isn’t paying him to demo this pedal, we get his truly unfiltered opinion on this one.
https://youtu.be/_TJwGCjela4
If you’re thinking of ordering one of these, you’ll probably find this pedal very useful indeed. We’re seeing Henning’s initial impressions straight out of the box, and it’s likely that you’ll go through a similar experience when you get yours.
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