It’s been a very quiet month. I’ve had my head down working on improving my Tweed Deluxe signal chain, and haven’t really been interested in any of the gear that’s come up for sale on the second-hand market this month.
There was one item, though: a new challenger to be my #1 drive pedal.
This is a second (and lengthy!) look at the LPD Pedals Dutch ’24 that I recently bought.
Walrus Audio 385, LPD Pedals Dutch ’24 and Mad Professor Little Green Wonder on my pedalboard.
I’ve already written a First Impressions on the Dutch ’24. In that, I said that I’d briefly tried it as a main overdrive, and was a bit meh about it. (You should definitely go and read that post. I was very happy with how it helped me address the top-end of position 4 on my Strat.)
When used as a main overdrive, I’m finding the Dutch ’24 both incredibly familiar and – at the exact same time! – quite different too.
It’s been bugging me ever since.
So I spent a couple of evenings at the start of the week comparing the Dutch ’24 against other pedals aimed at the blues-rock market.
Along the way, I fell in love with how the Dutch ’24 is its own thing.
#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
Wampler Tumnus Deluxe and Mad Professor Little Tweed Drive pedals
This week, I want to share a new (to me) way of using Klons and klones. I’ve just given it a go, and I just have to write up the results for the blog. I think they’re very promising!
I recently picked up a new (to me) Bearfoot FX Honey Bee X overdrive pedal.
Is this going to be the Honey Bee variant to rule them all? Will it be the Honey Bee that finally knocks my beloved Sweet Honey Overdrive (SHOD for short) off my pedal board?