Tone. At Home.
At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals. I’ve already posted my First Impressions on the ShredMaster and DriveMaster pedals.
Last, but not least, it’s time to explore the most legendary of them all: the Bluesbreaker. Here are my First Impressions.
Continue reading “First Impressions: Marshall Bluesbreaker Vintage Reissue Overdrive Pedal”At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals, and I’m gradually working my way through each of them.
The DriveMaster is (basically) Marshall’s legendary The Guv’nor pedal, just in the same housing that they used for the Bluesbreaker and ShredMaster pedals.
And if you love the sound of Marshall amps, you’re going to want one for yourself. It’s that good. That’s what I think, anyway. Read on for a bit more detail in my First Impressions.
Continue reading “First Impressions: Marshall DriveMaster Distortion Pedal”At the start of March 2023, I picked up all four of Marshall’s vintage reissue drive pedals. The original pedals are all legendary pedals, much revered in the guitar pedal community. Alas, that means that the original pedals also come with second-hand prices to match.
These re-issues are bringing these classic circuits back within reach of regular guitarists (just about …).
Regular readers might be wondering why I bothered with the ShredMaster at all, and why I’m posting about this pedal first. There’s a good reason for that. Read on for my First Impressions.
Continue reading “First Impressions: Marshall ShredMaster Distortion Pedal”Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what amps I’m using for pedal platforms, and why.
Previous years: [2019] [2020] [2021]
Continue reading “2022 Review: Pedal Platform Amps”Over on Twitter, my friend Alessandro asked for opinions about Mad Professor’s Little Tweedy Drive.
Yes, I have opinions about this particular pedal. I wasn’t a fan when I first got this pedal. Will that change, when I take a second look at the Little Tweedy Drive? Read on to find out.
Continue reading “TweedTalk #3: Mad Professor’s Little Tweedy Drive”Last summer, I bought a Fryette Power Station PS-100 as an emergency purchase, so that I could use my Tweed Deluxe at home volume levels.
Nine months later, how am I getting on with it? Would I buy it again if anything happened to it? And would I recommend it to you? Read on to find out.
Continue reading “Short-Term Review: The Fryette Power Station PS-100”
Back in March 2020, I picked up a second hand Paisley Deluxe (Paisley Drive Deluxe? Even Wampler’s own marketing uses both terms …), and really struggled with it. And that has bugged me ever since.
A lot has changed since then. Will that make any difference, or will it still be a pedal that just isn’t for me? Details below 🙂
Continue reading “Second Bite: Wampler Paisley Deluxe”Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what amps I’m using for pedal platforms, and why.
Previous articles: [2019][2020]
Continue reading “2021 Review: Pedal Platform Amps”
I’ve had Fender’s MTG:LA overdrive pedal for coming up on two years now, and it’s fair to say that it’s largely spent most of that time sat in its box on the pedal shelf. It’s a pedal for Strats and Teles, but I play my Les Paul most of the time.
Last July, I had a go at using additional pedals to shape the tone of the MTG:LA, to try and make it work better with my Les Paul. While I liked the results, nothing really stuck, so the pedal went back onto the shelf.
Let’s give the MTG:LA another go, this time by trying my new secret weapon: the Marshall DSL20HR.
Continue reading “Second Bite: Fender MTG:LA Overdrive Pedal, Through The Marshall DSL20HR”It’s not every pedal that gets not one, but two First Impressions posts here on the HomeToneBlog. In fact, I believe this is the first one that I’ve done this for.
How does the Mad Professor Super Black preamp pedal sound, when I run it straight into a power amp? Let’s find out.
Continue reading “First Impressions: Mad Professor Super Black Pedal (Straight Into A Power Amp)”