Tone. At Home.
Towards the end of last month, I picked up one of these:
Read on for my First Impressions.
Continue reading “First Impressions: Earthquaker Devices Special Cranker Overdrive Pedal”I recently picked up another tweed-tone pedal: Catalinbread’s Formula 55 overdrive pedal.
Is this going to be the 5e3-in-a-box pedal that I can recommend to anyone who wants the sound of a Tweed Deluxe without having to buy one of these expensive amps? Or is it going to be three out of three for disappointment with Catalinbread pedals?
Read on for my First Impressions.
Continue reading “First Impressions: Catalinbread Formula 55 Overdrive”I recently rewired my home studio rack to replace unreliable home-made cables with professionally-made ones that would be noise-free.
Unexpectedly, the rewiring also revealed that I’d been losing some of the treble from my guitar without realising it. While testing all of the different signal paths that I have, I discovered problems with two of the signal chains that I use the most:
In this blog post, I’m going to explain the problem I found, and what I’m doing about it. I’ll also include audio samples, so that you can hear the problem for yourself.
Continue reading “Studio Diary #34: Gigrig G2 Goes For A Service”I recently bought a Fractal Audio Axe-FX 3 mkII rack unit, for use at home.
Why did I get it, and how am I getting along with it so far? Read on for my First Impressions.
Continue reading “First Impressions: Axe-FX 3 Mark 2 As An FX Processor”Over on Twitter, my friend Alessandro asked for opinions about Mad Professor’s Little Tweedy Drive.
Yes, I have opinions about this particular pedal. I wasn’t a fan when I first got this pedal. Will that change, when I take a second look at the Little Tweedy Drive? Read on to find out.
Continue reading “TweedTalk #3: Mad Professor’s Little Tweedy Drive”After a couple of months with no new (to me) gear, May has been a very busy month.
There’s a few items I’ve been after, both professionally and for home use. All of these things needed to be imported: some because they’re not sold in the UK, and some because they are sold here but are constantly out of stock.
With the UK government threatening to illegally break its own treaty and start a (doomed) trade war with Europe, I was worried that I wouldn’t be able to get them if I didn’t act now. On top of that, rampant inflation means that buying later means paying a lot more.
Now that they’re here, what do I think of them? And how was the import process? Read on for my First Impressions.
Continue reading “New Arrivals: May 2022”In May 2022, I imported quite a bit of audio gear from the EU. I thought it’d be helpful to write up the whole experience as a standalone blog post, in case anyone else is thinking of doing the same.
Continue reading “My Experience Of Importing Audio Gear Into The UK From The EU”When I was doing my research into studio monitors, there was a concept that kept coming up time and time again. All the pros said the same thing: you’ve got to learn the sound of your monitors in your space.
This week – almost 18 months after getting my studio monitors – I finally understand what that means.
Continue reading “Studio Diary #33: Things Are Clicking With My Studio Monitors”Last week, I finally did it: I replaced all the home-made wiring in my rack with professionally-made cables. And, seeing as I was taking everything apart anyway, I used it as an opportunity to give everything a much-needed clean too.
Why did I do this? What was involved? How long did it take? And was it worth the trouble and expense? Read on to find out.
Continue reading “Studio Diary #32: Rewiring The Studio Rack”