At the tail-end of April, I picked up a new (to me) Les Paul. It’s a little bit different to a regular R8 Historic Reissue … and it just might be my new #1 guitar.
This month, I was able to tick off three items from my gear bucket list.
One of the things I’ve been (re)learning this year is this: the kind of gear I’m interested in trying is only getting rarer and rarer. If I see something, and don’t get it, there’s a very good chance that I’ll be waiting a very long time before I see another example.
And it’s always hard to tell whether or not an item was worth getting until you have it in your hands …
Rather than do a ‘best of’ style post, every year I’m going to do a rundown of what guitars I’ve had my hands on, and what I’ve learned from the experience.
This post covers guitars I play at home for fun. I’ll cover the guitars that I gig with on Thursday.
So March has been and gone. In the end, February’s absolute deluge of available 2nd hand gear wasn’t repeated this month. But a road trip later in the month brought a chance encounter with something a little bit different …
These are my initial impressions of this month’s new arrivals. I’ll do full articles on each of them when I’ve had some time with them.
Chappers and The Captain have taken a look at the new Hendrix Voodoo Child Stratocasters from Fender’s Custom Shop.
At £4000, they’re priced mainly for collectors of Hendrix memorabilia. They come with certificates, and some other official Hendrix-branded stuff … but at heart, they seem to be Journeyman Strats with reversed headstocks and a reversed bridge pickup.
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Dan and Mick have posted a video all about Dan’s new Fender Custom Shop Telecaster 52 Reissue, and how it compares to the Custom Shop 63 Reissue that he’s been using on That Pedal Show for the last couple of years.
This video is full of surprises: side by side, the 52 reissue doesn’t sound anything like they (or I) expected. It’s nowhere near as bright or sharp as a modern maple-boarded Tele would be, and of course it doesn’t rock like Dan’s red Tele famously does – yet it still has its own thing going on.
Even if you’re not into Fender Teles, it’s still worth watching just to watch them geeking out over gear, and trying to learn licks off each other. There’s an important lesson there: it’s no different to the last time you and your mates did exactly the same thing.
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Before you order that new PRS Silver Sky, you might want to check out these custom-order Fender Stratocasters from Andertons:
These Strats are the sister models to the Telecasters that Andertons recently had made. They feature a 59 neck carve – based on guitars made by the late John English – rosewood fingerboards and ash bodies. Pickups are Custom Shop 69, reverse-wound Custom Shop 65, and a Texas Special for the Bridge. The end result should be a Strat that you won’t find anywhere else.
Tone-wise, there’s a certain something that they seem to share with the original run of Telecasters from the earlier video. There’s a clarity and definition that even survives what YouTube does to video audio tracks. I suspect that, in person, these’ll exhibit that 3D sound quality that marks out the very best-sounding guitars.
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Not to be outdone by Anderton’s PRS Silver Sky video today, Thomann have shot a shootout video comparing a real Fender Strat against two of its competitors – Suhr (who used to work for Fender) Classic Pro and the new PRS Silver Sky.
It’s wonderfully click-bait-y – but do we learn anything from this video? I’m not sure that we do.
I didn’t hear much difference between the three – and nowhere near the amount of difference that I was expecting. The extra low end we heard the PRS Silver Sky do on the Andertons video isn’t there, and neither is the high-end from the Suhr’s stainless steel frets. I played a Suhr Classic Pro about a month ago, and in person that extra high-end is far from subtle.
So yeah, I’m surprised, and I’m not sure what to make of it.
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