Tag: DSL20HR

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Studio Diary #46: My Philosophy For Building Pedal Platform Presets For Digital Modellers

When I started building my own pedal platform presets for the Axe-FX 3, my goal was to recreate the sound of my old valve amp rig. I really wanted to demonstrate how these pedals might sound if you put them through your own valve amp at home.

I’m not trying to do that any more.

In this blog post, I’m going to do my best to explain why. Grab a drink, there’s a lot to talk through!

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TweedTalk #3: Mad Professor’s Little Tweedy Drive

Over on Twitter, my friend Alessandro asked for opinions about Mad Professor’s Little Tweedy Drive.

https://twitter.com/archeteer/status/1514520614270287873?s=20&t=BNtqZblmqcteuFbi4NBsVg

Yes, I have opinions about this particular pedal. I wasn’t a fan when I first got this pedal. Will that change, when I take a second look at the Little Tweedy Drive? Read on to find out.

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Second Bite: Wampler Paisley Deluxe

This photo shows two pedals on my pedalboard. On the left is the Paisley Drive Deluxe, made by Wampler Pedals. It has two foot switches, one to activate each side of the pedal. On the right is the Forest Green Compressor, by Mad Professor. This just has the one foot switch.
The Wampler Paisley Drive Deluxe and Mad Professor Forest Green Compressor

Back in March 2020, I picked up a second hand Paisley Deluxe (Paisley Drive Deluxe? Even Wampler’s own marketing uses both terms …), and really struggled with it. And that has bugged me ever since.

A lot has changed since then. Will that make any difference, or will it still be a pedal that just isn’t for me? Details below 🙂

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Second Bite: Fender MTG:LA Overdrive Pedal, Through The Marshall DSL20HR

The photo shows Fender's MTG:LA pedal sat on my pedal board, next to an MXR Sugar Drive pedal. This photo really brings out the brushed copper look of the MTG:LA, as well as the LED pipes that light up each of the adjustable control knobs. The settings shown in the photo are the ones that I ended up settling on by the end of this blog post. Top row: Tone at max, Treble at max, Bass at 12 o'clock, Tight at just after 3 o'clock. Bottom row: Level just under 9 o'clock, Boost Level 12 o'clock, Boost Boost 12 o'clock, and Gain at 9 o'clock.
Fender’s MTG:LA pedal, sat on my board at home

I’ve had Fender’s MTG:LA overdrive pedal for coming up on two years now, and it’s fair to say that it’s largely spent most of that time sat in its box on the pedal shelf. It’s a pedal for Strats and Teles, but I play my Les Paul most of the time.

Last July, I had a go at using additional pedals to shape the tone of the MTG:LA, to try and make it work better with my Les Paul. While I liked the results, nothing really stuck, so the pedal went back onto the shelf.

Let’s give the MTG:LA another go, this time by trying my new secret weapon: the Marshall DSL20HR.

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First Impressions: Mad Professor Super Black Pedal (Straight Into A Power Amp)

It’s not every pedal that gets not one, but two First Impressions posts here on the HomeToneBlog. In fact, I believe this is the first one that I’ve done this for.

How does the Mad Professor Super Black preamp pedal sound, when I run it straight into a power amp? Let’s find out.

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