Rather than do a ‘best of’ style post, every year I’m writing up a rundown of what pedals I’m using, and why.Continue reading “2022 Review: Pedals”
August was shaping up to be a very quiet month, gear-wise. I had a plan: I was going to pick up just the one pedal – as long as I could find it nice and cheap.
But then something came along that I knew I’d regret if I didn’t get it …Continue reading “New Arrivals: August 2022”
#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
Today, I want to talk klones, and specifically the most important klone pedal ever released: Electro-Harmonix’s Soul Food. Make yourself your favourite morning drink first. This one is going to be a #longread … with audio demos.Continue reading “#CoffeeAndKlon 33: The EHX Soul Food”
Chappers and The Captain have done a shootout between ten Klon-like pedals.
If you’re not sure what all the hype around the Klon is all about, let me explain …
The Klon is low-gain pedal that (in its day) did something unique. Set as a clean boost, it lifts the guitar in the mix (or in a live setting) thanks to the way it increases the upper mids. And yet – it also does something to the bass response that makes clean tones sound fuller, without making drive tones muddy or boomy.
The hype is partly because, for many years, the only way to get this tone was to get a Klon Centaur. They were hand-built by Bill Finnigain, and due to limited availability they started changing hands in the second hand market for eye-watering amounts of money.
Eventually, klones (with a ‘k’) started appearing. Bill himself created the Klon KTR as a mass-production version of the Centaur, did a deal with JRAD to make them, before JRAD went on to create their own klones.
The most important klone is the Soul Food. It wasn’t the first klone, and I’d argue it is amongst the worst, but it did bring awareness and availability to the mass market. Since then, there’s been an explosion of interest in klones and the Klon thing. Today, there’s plenty of choice to suit all tastes and budgets.
I’ve got three of these on my boards, including the (for me) unmatched Klon KTR. It’s the only one that I’ve tried that doesn’t add a huge bass bump to overdrive tones. That’s something that doesn’t come across in this demo, to be honest.
Watch the video to choose your favourite, and then please head over to YouTube to leave a like and a supportive comment..
Chappers and The Captain have posted their latest blindfold challenge. Can Lee tell a real Tubescreamer from a pool of clones? And which ones will he like?
The Tubescreamer is possibly the most-copied pedal circuit of them all. Most pedal brands have a TS-style pedal in their range, and there’s a TS-style pedal to fit every budget.
It’s not really an overdrive pedal, and that’s very confusing when you get one for the first time. It’s more of a colour pedal, thanks to it’s pronounced mid-hump. Run it into a dirty amp to shape the overall sound, or run it after a gain or fuzz pedal to act as a great boost.
A Strat -> Zendrive -> TS signal chain in particular is a very special sound.
Over the years, I’ve had a few of the pedals in the video, and the one I use is the Mad Professor Little Green Wonder. You can’t get a sense of it from this video, but one of the great things about the LGW (and, indeed, all Mad Professor pedals) is the low noise floor.
I’d love to try a Wampler Clarksdale one day – just waiting for one to turn up at a good 2nd hand price. The J Rockett Blue Note is another pedal featured in this video that I want one day. Burgs did a demo of it years ago now that really sold me on it.
And just how good does the new Hot Rod Deluxe Mk 4 sound?
Please head over to YouTube to leave a like and a supportive comment if you enjoyed the Andertons video.