Tone. At Home.
I recently picked up a Carl Martin PlexiTone Lo-Gain overdrive pedal.
What does it sound like? And what do I think of it? Read on for my First Impressions.
Continue reading “First Impressions: Carl Martin PlexiTone Lo-Gain Overdrive Pedal”I recently picked up a new (to me) Bearfoot FX Honey Bee X overdrive pedal.
Is this going to be the Honey Bee variant to rule them all? Will it be the Honey Bee that finally knocks my beloved Sweet Honey Overdrive (SHOD for short) off my pedal board?
Read on for my First Impressions.
Continue reading “First Impressions: Honey Bee X Overdrive Pedal”#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
Back at the end of September, PRS announced that they were getting into the pedal business. There were three pedals launched, and amongst them was a drive pedal that they called ‘Horsemeat’ … because it’s a Klon-killer.
But is it really? Read on to find out what I think …
Continue reading “#CoffeeAndKlon 34: Is The PRS Horsemeat A Klon-Killer?”Rather than do a ‘best of’ style post, every year I’m writing up a rundown of what pedals I’m using, and why.
Previous years: [2019] [2020] [2021]
Continue reading “2022 Review: Pedals”At the end of September, seemingly out of the blue, PRS dropped their first three guitar pedals ever: an overdrive (the Horsemeat), a double-flanger (the Wind Through The Trees) and this one, an optical compressor (the Mary Cries).
Mine has just arrived. What do I think of it? Is it worth the price? Read on for my First Impressions.
Continue reading “First Impressions: PRS Mary Cries Optical Compressor”Earlier this month, I revisited my first-ever tweed-tone pedal: Joyo’s Sweet Baby Overdrive pedal.
Many years have passed since I’ve played one of these. Is it going to be a happy reunion, or am I going to get a crash course in why I replaced it with my beloved Mad Professor Sweet Honey Overdrive?
Over on Twitter, my friend Alessandro asked for opinions about Mad Professor’s Little Tweedy Drive.
Yes, I have opinions about this particular pedal. I wasn’t a fan when I first got this pedal. Will that change, when I take a second look at the Little Tweedy Drive? Read on to find out.
Continue reading “TweedTalk #3: Mad Professor’s Little Tweedy Drive”
Back in March 2020, I picked up a second hand Paisley Deluxe (Paisley Drive Deluxe? Even Wampler’s own marketing uses both terms …), and really struggled with it. And that has bugged me ever since.
A lot has changed since then. Will that make any difference, or will it still be a pedal that just isn’t for me? Details below 🙂
Continue reading “Second Bite: Wampler Paisley Deluxe”The Christmas break is always good for getting me to wire up and fire up the home recording studio, and the end of 2021 was no exception. It was a good reminder of just how much I enjoy making music (rather than just noodling around).
So, this year, I want to at least try and have a bit more purpose when I choose which new (to me) gear to try:
Last year, we had one month when there were no new arrivals to write about. I wouldn’t be surprised if we have several more this year. But not this month 🙂
Continue reading “New Arrivals: January 2022”
Back in May 2021 (where did the time go?!?), I picked up a second-hand Tone City Sweet Cream Overdrive pedal. I’ve finally put it onto my pedal board, to see what it can do.
Is it a outright clone of the Sweet Honey Overdrive, or does it have something different to offer? Read on for my First Impressions.
Continue reading “First Impressions: Tone City Sweet Cream Overdrive”