Rather than do a ‘best of’ style post, every year I’m writing up a rundown of what pedals I’m using, and why.
Previous years: [2019] [2020] [2021][2022]
Continue reading “2023 Review: Pedals”Tone. At Home.
Rather than do a ‘best of’ style post, every year I’m writing up a rundown of what pedals I’m using, and why.
Previous years: [2019] [2020] [2021][2022]
Continue reading “2023 Review: Pedals”Back in July, I picked up a Boss HM-2w Heavy Metal distortion pedal.
I’m finally getting round to trying it out.
Continue reading “(Belated) First Impressions: Boss HM-2w Heavy Metal Distortion Pedal”It’s impossible to talk about the King of Blues without comparing it to the Analogman King of Tone – because that’s the question everyone wants to know. Is it a King of Tone clone, or (at the very least) a passible substitute?
No, it isn’t. The King of Blues is its own thing. And I really dig it. Read on for the full details, including audio demos to demonstrate why.
Continue reading “First Impressions: Tone City King of Blues Dual Overdrive Pedal”I’ve only picked up a couple of new (to me) pieces this month. One of them was a pedal that I’ve been looking for for over a year, so that was nice. The other? It’s a new release, and one that I’m already looking to put onto my board as an always-on pedal.
Definitely a month of quality over quantity.
Continue reading “New Arrivals: December 2022”At the end of September, seemingly out of the blue, PRS dropped their first three guitar pedals ever: an overdrive (the Horsemeat), a double-flanger (the Wind Through The Trees) and this one, an optical compressor (the Mary Cries).
Mine has just arrived. What do I think of it? Is it worth the price? Read on for my First Impressions.
Continue reading “First Impressions: PRS Mary Cries Optical Compressor”