#CoffeeAndKlon 31: In Praise Of A Clean Boost Klon Into Overdrive

#CoffeeAndKlon is my occasional Sunday magazine-style series, where I talk about whatever’s on my mind about guitars, gear, music and yes, sometimes my love of both coffee and the Klon pedal.

How can I put this? It feels like it’s become a bit of a pastime for some folks on the Internet to mock the idea of using a Klon as a clean boost. So this time around, let me give you a concrete example of why I love using my Klon as a clean boost pedal – with audio clips.

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#CoffeeAndKlon 1: The TC Electronic Mojomojo

This conversation was originally posted on my Twitter feed.

Good morning, and welcome to #CoffeeAndKlon. Starting off with this question from last night: can the Klon make the Mojomojo sound any good? (PS I’ve dusted the Klon for y’all this morning)

The Mojomojo isn’t a ridiculous pedal like the Metal Zone or Digital Metalizer are. (See last night’s thread for context). It’s probably the worst drive pedal I’ve got to hand right now.

Can the mighty Klon help it out?

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Marshall Origin and TC Electronic Drive Pedals

Yesterday, we looked at how well the new Marshall Origin sounds with affordable drive pedals from Boss. Today, it’s the turn of affordable drive pedals from TC Electronic.

TC Electronic are well known for their tone print pedals, especially the Hall of Fame reverb pedal and the Flashback delay. They also make a pair of drive pedals that you can find for around £40 each brand new at the time of writing.

For reference, here’s what the Marshall Origin can do on its own if you’ve got somewhere where you crank it loud:

Most of us are going to need pedals to get the amp singing at home volumes. Let’s hear how the TC Electronic pedals sound through the Origin.

The Mojomojo Overdrive

First up is the Mojomojo Overdrive pedal.

As an overdrive pedal, it gives us soft clipping with a fair bit of push in the mids. The active EQ is there to help you dial in this pedal for a wide range of amps.

The end result came out better than I was expecting.

Out of all the pedals I’ve used for this mega-Marshall Origin series, this was the only pedal I didn’t enjoy playing through. I wasn’t happy with how it felt or sounded during the recording. I’m unlikely to use this pedal again with my Origin 20W head.

The Dark Matter Distortion

The Dark Matter, on the other hand …

This pedal has been the one I’ve had hooked up to the Origin 20W the most. It doesn’t clip as hard as I was expecting it to – it’s almost soft enough to be an overdrive. It feels fantastic to play, really dynamic and responsive, and I think it counteracts the Origin’s brightness without sounding muddy at all.

Final Thoughts

The Origin is an opinionated amp, and any pedals you put through it are going to be very strongly flavoured by what the Origin sounds like.

For me, the Mojomojo didn’t suit the Origin at all – but the Dark Matter complimented it really well.

Those are just my opinions. Have you tried either pedal through an Origin amp yourself? How did you find them? Comments below!