Traditionally, December is a month where I try to avoid buying new (to me) gear, because Santa Claus (aka my wife Kristi) normally has something under the tree for me.
This year, though, I was forced into an emergency purchase, because I sat down one afternoon and discovered that my entire guitar rig was dead. Oh the (necessary) joys of using a power conditioner to power everything!
This is a second (and lengthy!) look at the LPD Pedals Dutch ’24 that I recently bought.
Walrus Audio 385, LPD Pedals Dutch ’24 and Mad Professor Little Green Wonder on my pedalboard.
I’ve already written a First Impressions on the Dutch ’24. In that, I said that I’d briefly tried it as a main overdrive, and was a bit meh about it. (You should definitely go and read that post. I was very happy with how it helped me address the top-end of position 4 on my Strat.)
When used as a main overdrive, I’m finding the Dutch ’24 both incredibly familiar and – at the exact same time! – quite different too.
It’s been bugging me ever since.
So I spent a couple of evenings at the start of the week comparing the Dutch ’24 against other pedals aimed at the blues-rock market.
Along the way, I fell in love with how the Dutch ’24 is its own thing.
#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
Wampler Tumnus Deluxe and Mad Professor Little Tweed Drive pedals
This week, I want to share a new (to me) way of using Klons and klones. I’ve just given it a go, and I just have to write up the results for the blog. I think they’re very promising!
Yeah, I’m a little late with this. I’ve had a rough start to the year, and I’ll leave it at that.
Despite not blogging for months, I have been playing guitar … and enjoying a couple of new pedals that arrived over the festive season. Together, I’ve found them to be especially inspiring, and they’ve become my preferred signal chain for my Silver Sky.
#CoffeeAndKlon is my (irregular!) Sunday morning magazine series, where I talk about whatever’s on my mind right now. There’s always coffee, and there’s normally chat about the Klon and its many competitors.
The EHX Soul Food
Today, I want to talk klones, and specifically the most important klone pedal ever released: Electro-Harmonix’s Soul Food. Make yourself your favourite morning drink first. This one is going to be a #longread … with audio demos.
#CoffeeAndKlon is my occasional Sunday magazine-style series, where I talk about whatever’s on my mind about guitars, gear, music and yes, sometimes my love of both coffee and the Klon pedal.
Fractal Audio recently released a digital Klon klone pedal for the Axe FX 3. Knowing Fractal’s reputation, it will have been meticulously modelled against a real Klon Centaur pedal – either one they own, or one they were able to borrow from the community.
Can a digital klone be a stand-in for the real thing? Let’s find out together.