Danelectro ‘84 Lipsticks vs Fender Mexican Strat Single Coils.

Shane’s had a lot of interest in his Danelectro ‘84 since introducing it on his YouTube channel. So he’s done a shootout against his Mexican Strat.

The two guitars sound quite different. The Danelectro has a lot more twang, without sounding like a Tele. It’s also a little thinner sounding, but not in a bad way. The overall result is a guitar which looks like a Strat but has its own thing going on. Very cool.

Watch the video to hear for yourself, and then please head over to YouTube to leave a like and a supportive comment.

Gibson Or Gretsch?

Darrell Braun has posted an interesting look at two single-cut guitars: the Gibson Les Paul and the Gretch Duo Jet.

I can’t find the Gretsch Duo Jet on Gretsch’s website – or in any UK stores at the time of writing. Darrell’s Playing the G6128TVP model (I think), which seems to be out of production right now.

A shame, because that Gretsch compared very favourably to the Les Paul.

Watch the video to make your own mind up, and then please head over to YouTube to leave a like and a supportive comment.

Gretch Duo Jet G6128T Review

Shane has taken a look at one of the high-end, Japanese-made Gretch guitars: the Duo Jet.

This premium guitar looks like Gretch’s answer to Gibson Les Paul reissues. It has that fat Les Paul tone when the amp’s nice and dirty, but it also offers very usable clean tones – something I’m hard-pressed to say about any modern Les Paul!

Watch the video to hear how good this sounds, and then please head over to YouTube to leave a like and a supportive comment.

Blindfold Challenge: Tele or Not?

Chappers and The Captain have done another of their blindfold challenges: can Rob tell if a guitar is a Fender Telecaster, or a T-style from another brand?

Every time someone on the forums insists that guitars don’t sound that different, or that the differences aren’t that great, I want to make them sit down and watch videos like this. It’s not always easy to tell them apart after YouTube has processed the audio, but in person – and importantly, through a great amp – the differences are real, both in tone and in feel.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed this video.

Using Charvel And Jackson Guitars For More Than Metal

Ariel and Danish Pete are back with another Guitar Paradiso, and this week they’re looking at using Charvel and Jackson guitars for more than just metal.

The idea for this video came from watching John Mayer playing a Jackson guitar. He’s best known for playing his vintage (and signature) Fender Strats, and his recent collaborations with PRS. A pointy shredder’s beast seems a world apart from those instruments!

This is a topic that resonates personally with me. I can’t speak for modern Charvels and Jacksons, but I do have an 80s Charvel and a 90s Jackson in my collection, and I’ve used both guitars for folksy blues far more than for anything else in the decades since.

Watch the video and see what you think, and then please head over to YouTube to leave a like and a supportive comment.

Gray Guitars – British Born And Bred

Andertons has started carrying Gray Guitars’ lineup, and they’ve shot an interview video with Thomas Gray to introduce us to the lineup.

These are hand built guitars, made here in Britain, featuring Bare Knuckle pickups. And, unusually, they feature native British timbers, rather than the tone woods we’re used to from the major brands. The end result? An instrument that looks familiar yet not at the same time.

For the full story, watch the video then head over to YouTube to leave a like and a supportive comment.

PRS SE Line In Limited Stealth Gray

PRS have done a limited run of SE range guitars with quilt tops and a faded satin gray finish. Chappers and The Captain have got their hands on them and boy do they sound good,

These are (almost?) the bottom of PRS’s product line, and that’s reflected in the little things that Chappers point out in the video. But don’t let that put you off.

Listen to the opening jam. That’s one of the best lead tones that Chappers has had on an Andertons video this year. And that’s carried through throughout the entire video.

Watch the video to hear how good they sound, and then head over to YouTube to leave a like and a supportive comment.

Ernie Ball Music Man Cutlass RS 2018 Demo

Over At Riffs, Beards and Gear, Fluff has posted a short demo of the 2018 model of Music Man’s Cutlass RS.

The guitar features a roasted maple neck, H-S-S pickup configuration with a 5 way selector switch, and stainless steel frets. It’s a nicely-balanced guitar, and looks pretty comfortable to play.

How does it sound? Watch the video to find out, then head over to YouTube to leave a like and a supportive comment.

Ten Guitar Challenge

Mary Spender has posted a new guitar challenge up on her YouTube channel: record a song using 10 guitars or more.

There’s a long and glorious tradition of YouTube musicians setting musical challenges for each other, most recently the Write and Record a Whole Song In An Hour. Mary’s hoping to start the next challenge with this one! She got the idea from her time at Port City Studios, where she made a video using 10 of the guitars they have up there.

Today’s video isn’t the song itself; it’s a behind-the-scenes look at all the effort that went into putting the song together. A great look into what it takes to be a YouTube music star like Mary is.

Have a watch, and then please head over to YouTube to leave a like and a supportive comment.

The Ultimate Guide To Vintage Les Paul Tone

Over at The Guitar Magazine, Huw and the team have published a lengthy read on how to get vintage Les Paul tone without selling a kidney to pay for it.

http://www.theguitarmagazine.com/features/vintage-les-paul-tone-guide/

This is a topic that come up all the time on the two main Les Paul forums. The debates are long (and often become unpleasant), and they usually condense into three points:

  1. Most people don’t know what a vintage Les Paul actually sounds like.
  2. Some people insist that they can’t hear a difference, therefore there isn’t a difference.
  3. Some people think the difference isn’t worth the cost.

I’m very much in the first camp. I have no idea what a vintage Les Paul sounds like. I’ve never played one, and if I did get the chance to, I’d need to either play it through my rig or compare it with some of my guitars to have a reference point to help understand what I’d be hearing.

Have a read of the full article, and see what you think.