Tag: Seen Elsewhere

Go and see this amazing content from elsewhere on the Internet! We’ll still be here when you get back.

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Wampler Reflection Demo

Mike Hermans has posted his demo of the upcoming Wampler Reflection reverb pedal. Take a listen:

This pedal offers two types of reverb. There’s a classic spring reverb, made famous by those vintage Fender amps, and voiced for those 50s and 60s era tones. Then there’s a big plate reverb, offering those ambient swells and drones.

These are my two favourite reverb tones in one handy box. When I was younger, dark plate reverb was my go-to tone, especially for playing super-clean. Since I got into Les Pauls and more dirty lead tones, I’ve learned that a little bit of spring reverb can go a long way.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Mike’s video,

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Gray Guitars – British Born And Bred

Andertons has started carrying Gray Guitars’ lineup, and they’ve shot an interview video with Thomas Gray to introduce us to the lineup.

These are hand built guitars, made here in Britain, featuring Bare Knuckle pickups. And, unusually, they feature native British timbers, rather than the tone woods we’re used to from the major brands. The end result? An instrument that looks familiar yet not at the same time.

For the full story, watch the video then head over to YouTube to leave a like and a supportive comment.

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Revv G3 Distortion Pedal Round-up

Revv Amplification have released their G3 distortion pedal, and a whole bunch of YouTube demos have been released to show us what this thing can do.

Here’s a round-up of the demos.

If that lot doesn’t convince you that this is a high gain metal rhythm and lead pedal, I don’t know what will 🙂

Each video shows us something different, whether it’s running the pedal directly into the effects loop of an amp, high gain rock, baritone tones, or simply how it works in front of a wide range of amps.

Please head over to YouTube to leave likes and supportive comments on all of these videos.

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PRS SE Line In Limited Stealth Gray

PRS have done a limited run of SE range guitars with quilt tops and a faded satin gray finish. Chappers and The Captain have got their hands on them and boy do they sound good,

These are (almost?) the bottom of PRS’s product line, and that’s reflected in the little things that Chappers point out in the video. But don’t let that put you off.

Listen to the opening jam. That’s one of the best lead tones that Chappers has had on an Andertons video this year. And that’s carried through throughout the entire video.

Watch the video to hear how good they sound, and then head over to YouTube to leave a like and a supportive comment.

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Ernie Ball Music Man Cutlass RS 2018 Demo

Over At Riffs, Beards and Gear, Fluff has posted a short demo of the 2018 model of Music Man’s Cutlass RS.

The guitar features a roasted maple neck, H-S-S pickup configuration with a 5 way selector switch, and stainless steel frets. It’s a nicely-balanced guitar, and looks pretty comfortable to play.

How does it sound? Watch the video to find out, then head over to YouTube to leave a like and a supportive comment.

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PRS MT 15 Amp Demo

Shawn Tubbs has taken a look at the new PRS MT 15 amp. These were announced at NAMM, and look very interesting indeed.

This is Mark Tremonti’s new signature amp, featuring a Fender-style clean channel with 3 band EQ and a lead channel with melt-your-face levels of aggressive gain. It runs a pair of 6L6s in the power stage – very unusual in a 15 watt amp – and 5 preamp tubes.

Sadly, we don’t get to hear if it takes pedals well. That’s a shame, because this lunchbox head will launch in June for under 500 GBP. There’s nothing from Fender to compete at that price. Pair it with a Marshall Origin, and you could have a dual-amp pedal platform at an amazing price.

Watch the video for more details, and then head over to YouTube to leave a like and a supportive comment.

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Ten Guitar Challenge

Mary Spender has posted a new guitar challenge up on her YouTube channel: record a song using 10 guitars or more.

There’s a long and glorious tradition of YouTube musicians setting musical challenges for each other, most recently the Write and Record a Whole Song In An Hour. Mary’s hoping to start the next challenge with this one! She got the idea from her time at Port City Studios, where she made a video using 10 of the guitars they have up there.

Today’s video isn’t the song itself; it’s a behind-the-scenes look at all the effort that went into putting the song together. A great look into what it takes to be a YouTube music star like Mary is.

Have a watch, and then please head over to YouTube to leave a like and a supportive comment.

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How To Solo Over Chord Changes

Paul Davids has uploaded a handy lesson video, where he’s looking at how to solo over chord changes using the pentatonic scale.

The pentatonic scale is probably the first scale we learn when we’re trying to get into writing our own solos and improvising. It’s such an easy scale to play, but making it musical over chord changes is deceptively hard.

In Paul’s lesson, he explains what the trick (sometimes) is: switch pentatonic scales when the underlying chord changes. By using the pentatonic scale that matches each chord (e.g. A minor pentatonic over an A minor chord, C major pentatonic over a C major chord), we place more of an emphasis on the musical changes that are happening in the rhythm section.

Watch the video for all the details, then please head over to YouTube to leave a like and a supportive comment if you enjoyed Paul’s video.

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The Ultimate Guide To Vintage Les Paul Tone

Over at The Guitar Magazine, Huw and the team have published a lengthy read on how to get vintage Les Paul tone without selling a kidney to pay for it.

http://www.theguitarmagazine.com/features/vintage-les-paul-tone-guide/

This is a topic that come up all the time on the two main Les Paul forums. The debates are long (and often become unpleasant), and they usually condense into three points:

  1. Most people don’t know what a vintage Les Paul actually sounds like.
  2. Some people insist that they can’t hear a difference, therefore there isn’t a difference.
  3. Some people think the difference isn’t worth the cost.

I’m very much in the first camp. I have no idea what a vintage Les Paul sounds like. I’ve never played one, and if I did get the chance to, I’d need to either play it through my rig or compare it with some of my guitars to have a reference point to help understand what I’d be hearing.

Have a read of the full article, and see what you think.

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Does A Decade Make A Difference?

Adam and Tom from AStrings have posted a cracking comparison video. They’ve taken two reverb pedals that are currently in production, but a decade apart in their design, to try and answer the question: does a decade (of progress) make a difference?

https://youtu.be/1uFzs74pEsA

What a wonderful, original idea for a gear demo video!

Have a listen, see which one you think, and then please head over to YouTube to leave a like and a supportive comment and let them know which pedal you preferred and why.