New Arrivals For February

February has been a very strange month for gear.

The Winter NAMM announcements are over, and now we wait for actual stock to appear in the shops. Some items – like Marshall’s new Studio line of heads, combos and cabs – have arrived quickly (and largely sold out just as quickly). Other pieces – not so much.

eBay started slow, but in the middle of the month, there was a lot of great gear up for grabs at surprising prices. I was expecting most people to be waiting for the “free for private sellers” changes coming at the start of March. I was wrong.

Here’s a list of everything I’ve picked up in February, along with my initial impressions. I’ll write up a full article on each of them once I’ve had a bit of time with them.

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New Arrivals For January

The turning of the year can be a great time to hunt for new (to you) guitar gear. The second hand market is normally flooded with folks who are moving on gear they no longer want – or sadly can no longer afford to keep. And there’s Winter NAMM, where brands large and small drop announce new products.

I’ve been lucky enough to pick up some stuff that I’m interested in, and I thought I’d share it with you. Some of it is new to me, and some of it is me taking a second look at things I’ve had before but didn’t gel with. And there’s a few very special items too.

I’m going to do full articles on each of them, once I’ve had a bit of time with them. For now, here’s the very first impressions for you.

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Wampler Launches The Pantheon – Their King of Tone Alternative

It’s finally here – the Wampler Pantheon overdrive pedal. Based on the original Marshall Bluesbreaker pedal circuit, it aims to be an alternative to that legendary pedal: Analogman’s King of Tone.

As well as Brian’s own demo (above), there are plenty of demos from the YouTube pedal demo community and several retailers.

As is usual with Brian, he hasn’t made a straight-up clone on the King of Tone. There’s an extra – and active! – bass EQ knob, and external switches both for the amount of gain and the kind of clipping available.

The Analogman King of Tone is possibly second only to the Klon when it comes to restricted supply and hype-fuelled demand.

The KoT is still in production. To buy a new one, you have to send an email to Analogman to join the waiting list. Unfortunately, they don’t send acknowledgements, so you’ve no way of knowing if you’re actually on the list or not. Then you have to wait until you’re at the front of the queue. At the time of writing, the queue is around two years long.

As a result, there’s definitely demand for a KoT-type pedal that is easy to obtain, and easy to replace if it stolen or otherwise lost.

Please head over to YouTube and leave a like and a supportive comment on the videos.

Attack Of The Klons!

Chappers and The Captain have done a shootout between ten Klon-like pedals.

If you’re not sure what all the hype around the Klon is all about, let me explain …

The Klon is low-gain pedal that (in its day) did something unique. Set as a clean boost, it lifts the guitar in the mix (or in a live setting) thanks to the way it increases the upper mids. And yet – it also does something to the bass response that makes clean tones sound fuller, without making drive tones muddy or boomy.

The hype is partly because, for many years, the only way to get this tone was to get a Klon Centaur. They were hand-built by Bill Finnigain, and due to limited availability they started changing hands in the second hand market for eye-watering amounts of money.

Eventually, klones (with a ‘k’) started appearing. Bill himself created the Klon KTR as a mass-production version of the Centaur, did a deal with JRAD to make them, before JRAD went on to create their own klones.

The most important klone is the Soul Food. It wasn’t the first klone, and I’d argue it is amongst the worst, but it did bring awareness and availability to the mass market. Since then, there’s been an explosion of interest in klones and the Klon thing. Today, there’s plenty of choice to suit all tastes and budgets.

I’ve got three of these on my boards, including the (for me) unmatched Klon KTR. It’s the only one that I’ve tried that doesn’t add a huge bass bump to overdrive tones. That’s something that doesn’t come across in this demo, to be honest.

Watch the video to choose your favourite, and then please head over to YouTube to leave a like and a supportive comment..

Wampler Reflection Demo

Mike Hermans has posted his demo of the upcoming Wampler Reflection reverb pedal. Take a listen:

This pedal offers two types of reverb. There’s a classic spring reverb, made famous by those vintage Fender amps, and voiced for those 50s and 60s era tones. Then there’s a big plate reverb, offering those ambient swells and drones.

These are my two favourite reverb tones in one handy box. When I was younger, dark plate reverb was my go-to tone, especially for playing super-clean. Since I got into Les Pauls and more dirty lead tones, I’ve learned that a little bit of spring reverb can go a long way.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Mike’s video,

Wampler Equater EQ Pedal Demo

Burgs has posted what I think is the first demo of the upcoming Wampler Equater EQ pedal.

This pedal features powerful active EQ that’s able to cut or boost significant levels. The two-band mid EQ is voiced to give you a lot of ability to sculpt your guitar tone in a musical manner.

I’m seriously thinking of getting one of these. I’m looking for ways to improve my lead tone, and this might just be what I need to help me learn where I’m going wrong.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Burgs video,

Blindfold Tubescreamer Challenge

Chappers and The Captain have posted their latest blindfold challenge. Can Lee tell a real Tubescreamer from a pool of clones? And which ones will he like?

The Tubescreamer is possibly the most-copied pedal circuit of them all. Most pedal brands have a TS-style pedal in their range, and there’s a TS-style pedal to fit every budget.

It’s not really an overdrive pedal, and that’s very confusing when you get one for the first time. It’s more of a colour pedal, thanks to it’s pronounced mid-hump. Run it into a dirty amp to shape the overall sound, or run it after a gain or fuzz pedal to act as a great boost.

A Strat -> Zendrive -> TS signal chain in particular is a very special sound.

Over the years, I’ve had a few of the pedals in the video, and the one I use is the Mad Professor Little Green Wonder. You can’t get a sense of it from this video, but one of the great things about the LGW (and, indeed, all Mad Professor pedals) is the low noise floor.

I’d love to try a Wampler Clarksdale one day – just waiting for one to turn up at a good 2nd hand price. The J Rockett Blue Note is another pedal featured in this video that I want one day. Burgs did a demo of it years ago now that really sold me on it.

And just how good does the new Hot Rod Deluxe Mk 4 sound?

Please head over to YouTube to leave a like and a supportive comment if you enjoyed the Andertons video.

Pedals Into A Clean Amp vs A Dirty Amp

Brian Wampler has posted a video of what it’s like to run drive pedals into a clean amp, and what it’s like to run the same pedals into a Dirty amp.

He’s picked an Orange Rockerverb 50 Mk 2 for this. It’s an interesting choice, as it isn’t your typical Fender-voiced or Marshall-voiced amp.

If you’re interested in running pedals into an Orange amp, hopefully you’ll find it useful.

Please head over to YouTube to leave a like and a supportive comment if you enjoyed Brian’s video.